02897cam a22003133u 4500 63129 UtSlPG 20260610134444.0 m cr n 260607r2020||||utu|||||o|||||||||||||| d UtSlPG fr iso639-1 ND Blanche, Jacques-Émile, 1861-1942 Propos de peintre, deuxième série: Dates : Précédé d'une Réponse à la Préface de M. Marcel Proust au De David à Degas Salt Lake City, UT : Project Gutenberg, 2020 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2020-09-05 Dédicace et portrait liminaire -- Jean-Louis Forain -- Frédérick Watts -- Les Dames de la Grande-Rue (Berthe Morisot) -- Décoration de la cathédrale de Vich, par M. José Maria Sert -- Cent portraits de femmes -- Un week-end et Oscar Wilde -- Un bilan artistique de la grande saison de Paris -- La Musique -- Autour de Parsifal -- D'un carnet de voyage 1913 -- Appendice: Le Salon de la Société Nationale des Beaux-Arts 1908. Notes sur le Salon d'Automne. Préface au Catalogue d'une Exposition de peintres de Venise. Lettres de J.-E. Blanche, Gabriel Mourey et Frantz Jourdain. Produced by Clarity and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) "Propos de peintre, deuxième série: Dates" by Jacques-Émile Blanche is a collection of artistic reflections and critiques written in the early 20th century. The work delves into the world of painting and notable artists, offering insights into their styles and significance, while also engaging with contemporary artistic movements through the lens of the author's personal experiences and memories. At the start of the work, Blanche sets the stage with a dedication to Marcel Proust, indicating a strong interrelationship between their works. The opening portion consists of a conversational preface where Blanche reflects on the nuances of art critique and his views on various artists, including Jean-Louis Forain. He emphasizes the duality of being both a painter and a critic, highlighting his admiration for the complexities of art and the artists behind it. Blanche intertwines personal anecdotes with critical observations, pointing out how the contemporary perception of artists can shift over time, as he considers the legacy of figures like Degas and Manet in contrast to their lesser-known contemporaries. (This is an automatically generated summary.) Original publication data not identified Painters https://www.gutenberg.org/ebooks/63129 103953 103953