02405cam a22003493u 4500 64375 UtSlPG 20260610134501.0 m cr n 260607r2021||||utu|||||o|||||||||||||| d 01013183 UtSlPG de iso639-1 ND Rosenhagen, Hans, 1858-1943 Liebermann Salt Lake City, UT : Project Gutenberg, 2021 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Künstler-Monographien, 45 Release date is 2021-01-23 Peter Becker, Reiner Ruf, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) "Liebermann" by Hans Rosenhagen is a historical account written in the early 20th century. The work delves into the life and contributions of the German painter Max Liebermann, highlighting his significant role in the evolution of modern art. Rosenhagen examines Liebermann's artistic vision, particularly his focus on the natural beauty of everyday scenes and the human experience, set against the backdrop of the shifting aesthetic movements of the late 19th century. The opening of the book presents an in-depth exploration of Liebermann's formative years and early artistic influences. The author discusses Liebermann’s upbringing in Berlin, the challenges he faced in pursuing art against his father's wishes, and his eventual success and recognition. Key moments include his studies in Weimar and interactions with prominent artists that shaped his approach to naturalism. The text expresses the tension between Liebermann's pioneering style and the prevailing artistic standards of the time, establishing a foundation for understanding how his works, such as “Die Gänserupferinnen,” marked a departure from traditional aesthetics towards capturing the essence of reality. (This is an automatically generated summary.) Original publication data not identified Liebermann, Max, 1847-1935 Knackfuss, H. (Hermann), 1848-1915 Künstler-Monographien, 45 https://www.gutenberg.org/ebooks/64375 105198 105198