02673cam a22003493u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000360012624500350016226400510019730000470024833600260029533700260032133800360034750000310038350503390041450801870075352012030094053400450214365300290218865300110221765300330222885600430226199900190230464936UtSlPG20260610134511.0mcr n260607r2021||||utu|||||o|||||||||||||| d  a14005277  aUtSlPG 7aen2iso639-1 4aND1 aEddy, Arthur Jerome,d1859-192010aCubists and Post-Impressionism 1aSalt Lake City, UT :bProject Gutenberg,c2021  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2021-03-270 aA sensation -- Post-Impressionism -- Les Fauves -- A futile protest -- What is Cubism? -- The theory of Cubism -- The new art in Munich -- Color music -- Esoragoto -- Ugliness -- Futurism -- Virile-Impressionism -- Sculpture -- In conclusion -- Appendix I: Exhibitions at 291 Fifth Avenue -- Appendix II: Two comments -- Bibliography.  aTurgut Dincer, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)  a"Cubists and Post-Impressionism" by Arthur Jerome Eddy is a historical account written in the early 20th century. The book explores the radical changes in the art world during the early 1900s, particularly focusing on the movements of Cubism and Post-Impressionism. It examines the reactions against Impressionism and the controversies that arose around new artistic expressions during this time, providing insights into the evolving nature of art and its critical reception.  The opening of this work sets the stage for a discussion on the impact of the International Exhibition of Modern Art, held in New York and Chicago in 1913, which ignited debates about artistic innovation and originality. Eddy reflects on the significance of this exhibition in American art, highlighting the tensions between traditional forms and the emergence of new styles. He expresses the idea that art thrives on controversy, suggesting that the radical shifts towards Cubism and Post-Impressionism were essential for the evolution of the artistic landscape, urging readers to reconsider their views on what constitutes valuable art amidst the chaos of innovative forms. (This is an automatically generated summary.)  nOriginal publication data not identified  aPost-impressionism (Art)  aCubism  aImpressionism (Art) -- 1910-40uhttps://www.gutenberg.org/ebooks/64936  c105759d105759