02476cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000390011324500350015226400510018730000470023833600260028533700260031133800360033750000310037350802130040452013760061753400450199365300340203870000280207285600430210099900190214366049UtSlPG20260610134526.0mcr n260607r2021||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPN1 aFreeburg, Victor Oscar,d1882-195310aPictorial Beauty on the Screen 1aSalt Lake City, UT :bProject Gutenberg,c2021  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2021-08-12  aCharlene Taylor, Charlie Howard, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)  a"Pictorial Beauty on the Screen" by Victor Oscar Freeburg is a scholarly examination of cinematic artistry written in the early 20th century. This work aims to elevate the motion picture from mere entertainment to a recognized form of pictorial art, focusing on the importance of visual composition, light, and shadow in capturing beauty on film. The author argues that cinema must seek to convey emotional and aesthetic experiences akin to traditional visual arts, encouraging both audiences and creators to appreciate the artistic potential of the medium.  The opening of the book sets the stage by emphasizing the evolving expectations of the average moviegoer, who now desires more than just popcorn thrills—they are demanding true beauty in motion pictures. Freeburg critiques the industry's historical reliance on thrilling but superficial visual elements and calls for a shift towards a more thoughtful approach to composition, akin to that found in painting. He introduces the concept of the "cinema composer," a director who must weave together various visual elements into a cohesive whole, capable of evoking deeper emotional responses, thereby enriching the viewer's experience. This foundational perspective invites readers to reflect on the visual language of cinema and its potential for artistic expression. (This is an automatically generated summary.)  nOriginal publication data not identified  aMotion pictures -- Aesthetics1 aIngram, Rex,d1892-195040uhttps://www.gutenberg.org/ebooks/66049  c106871d106871