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    <subfield code="a">Hood, Thomas,</subfield>
    <subfield code="d">1799-1845</subfield>
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    <subfield code="a">A Parody on "Mary's Ghost;" or, The Doctors and Body-snatchers. :</subfield>
    <subfield code="b">A Pathetic Tale, With Numerous Additions.</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2022</subfield>
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    <subfield code="a">1 online resource :</subfield>
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    <subfield code="a">The names of Norwich localities and medical men have been substituted for those in the original poem, including Henry Carter who died in 1830. --the Wellcome Collection, https://wellcomecollection.org/works/pjw2f57k</subfield>
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    <subfield code="a">Release date is 2022-02-06</subfield>
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    <subfield code="a">deaurider, Martin Pettit and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</subfield>
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    <subfield code="a">"A Parody on 'Mary's Ghost;' or, The Doctors and Body-snatchers" by Thomas Hood is a humorous poem written during the early 19th century. This work satirizes themes of death and body-snatching prevalent in the era, particularly reflecting on the grave-robbing activities that were notorious at the time. As a parody, it draws inspiration from the popular ballad "Mary's Ghost," playing with the conventions of ghostly tales and societal anxieties regarding the treatment of the dead.  In the poem, the ghost of Mary visits her lover, William, to lament her fate after being disturbed from her grave by body-snatchers. Throughout the verses, she humorously recounts her dismemberment and the fate of her various body parts, which have been sent to different doctors and medical schools. The macabre yet comical tone captures the absurdity of the body-snatching trade and raises questions about mortality and the ethics of medical practices. Despite its humorous elements, the poem reflects deeper societal concerns of the time regarding death and the respect owed to the deceased. Ultimately, it serves as a witty commentary on both love and the exploitation faced in the name of scientific progress. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">United Kingdom: Christopher Berry (printer), 1825</subfield>
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    <subfield code="a">Ghosts -- Poetry</subfield>
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    <subfield code="a">Body snatching -- Poetry</subfield>
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    <subfield code="a">Anonymous</subfield>
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    <subfield code="u">https://archive.org/details/b30375198</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/67336</subfield>
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