02722cam a22003493u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000290011324501130014226400510025530000470030633600260035333700260037933800360040550002200044150000310066150801850069252012500087753400770212765300210220465300290222570000140225485600420226885600430231099900190235367336UtSlPG20260610134544.0mcr n260607r20221825utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPR1 aHood, Thomas,d1799-184512aA Parody on "Mary's Ghost;" or, The Doctors and Body-snatchers. :bA Pathetic Tale, With Numerous Additions. 1aSalt Lake City, UT :bProject Gutenberg,c2022  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aThe names of Norwich localities and medical men have been substituted for those in the original poem, including Henry Carter who died in 1830. --the Wellcome Collection, https://wellcomecollection.org/works/pjw2f57k  aRelease date is 2022-02-06  adeaurider, Martin Pettit and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)  a"A Parody on 'Mary's Ghost;' or, The Doctors and Body-snatchers" by Thomas Hood is a humorous poem written during the early 19th century. This work satirizes themes of death and body-snatching prevalent in the era, particularly reflecting on the grave-robbing activities that were notorious at the time. As a parody, it draws inspiration from the popular ballad "Mary's Ghost," playing with the conventions of ghostly tales and societal anxieties regarding the treatment of the dead.  In the poem, the ghost of Mary visits her lover, William, to lament her fate after being disturbed from her grave by body-snatchers. Throughout the verses, she humorously recounts her dismemberment and the fate of her various body parts, which have been sent to different doctors and medical schools. The macabre yet comical tone captures the absurdity of the body-snatching trade and raises questions about mortality and the ethics of medical practices. Despite its humorous elements, the poem reflects deeper societal concerns of the time regarding death and the respect owed to the deceased. Ultimately, it serves as a witty commentary on both love and the exploitation faced in the name of scientific progress. (This is an automatically generated summary.)  pOriginally published:cUnited Kingdom: Christopher Berry (printer), 1825  aGhosts -- Poetry  aBody snatching -- Poetry1 aAnonymous4 uhttps://archive.org/details/b3037519840uhttps://www.gutenberg.org/ebooks/67336  c108158d108158