02426cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000350012624500310016126400510019230000470024333600260029033700260031633800360034250000310037850802210040952012220063053400660185265300420191865300140196085600520197485600430202699900190206967779UtSlPG20260610134550.0mcr n260607r20221872utu|||||o|||||||||||||| d  a07000850  aUtSlPG 7afr2iso639-1 4aPN1 aDelepierre, Octave,d1802-187910aSupercheries littéraires 1aSalt Lake City, UT :bProject Gutenberg,c2022  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2022-04-05  aLaurent Vogel, Pierre Lacaze and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica))  a"Supercheries littéraires : pastiches, suppositions d'auteur dans les lettres et dans les arts" by Octave Delepierre is a scholarly publication written in the late 19th century. The work explores various literary deceptions, focusing specifically on pastiches and authorial attributions throughout literary history. It delves into the blurred lines between imitation, parody, and pastiche, offering insights into the intentions behind these forms of literary artifice.  The opening of the book establishes a foundation for the discussion on literary supercheries by referencing previous works on related topics. Delepierre expresses the complexity of defining pastiche and its similarities to other literary genres such as parody and cento. He notes the historical origins of pastiche and its perpetuation through different epochs, illustrating how authors across cultures have engaged in literary imitation and fabrication, often invoking the names of esteemed writers to lend credibility to their works. This section sets the stage for a thorough examination of the nuances and implications of literary imitations and authorial fabrications in the following chapters. (This is an automatically generated summary.)  pOriginally published:cUnited Kingdom: Trübner et Cie, 1872  aLiterary forgeries and mystifications  aPasticcio4 uhttps://gallica.bnf.fr/ark:/12148/bpt6k9763014440uhttps://www.gutenberg.org/ebooks/67779  c108601d108601