02612cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000500012624500260017626400510020230000470025333600260030033700260032633800360035250000310038850502660041950802330068552011050091853400750202365300430209885600710214185600430221299900190225568037UtSlPG20260610134554.0mcr n260607r20221923utu|||||o|||||||||||||| d  a23017774  aUtSlPG 7aen2iso639-1 4aPN1 aStearns, Myron M.q(Myron Morris),d1884-196310aWith the movie makers 1aSalt Lake City, UT :bProject Gutenberg,c2022  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2022-05-090 aHow do you watch movies? -- Trick stuff -- The world through a camera -- Inside the studios -- Making a motion picture -- Pioneer days of the movies -- What makes good pictures good -- How good can a picture be? -- American movies abroad -- Movies of to-morrow.  aCharlene Taylor, Robert Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Updated: 2022-11-18.  a"With the Movie Makers" by John Amid is a comprehensive exploration of the film industry, written in the early 20th century. This work merges elements of a guidebook with a historical account, offering insights into the intricacies of movie-making from both a technical and narrative perspective. The book aims to dissect the processes behind creating motion pictures, emphasizing how both good and bad films influence audiences and culture alike.  The opening of the book discusses the general attitudes and experiences of viewers while watching movies, likening the passive reception to simply sitting and waiting for entertainment. Amid draws parallels between sports and film, illustrating how the emotions and loyalties felt during events shape individual identities. He stresses the importance of critical engagement with films, urging readers to analyze and appreciate the stories and techniques behind what they see on screen, setting the stage for a deeper understanding of the movie-making industry that will be explored in subsequent chapters. (This is an automatically generated summary.)  pOriginally published:cUnited States: Lothrop, Lee & Shepard Co., 1923  aMotion pictures -- Juvenile literature4 uhttps://archive.org/details/withmoviemakers00stea/page/n9/mode/2up40uhttps://www.gutenberg.org/ebooks/68037  c108859d108859