02470cam a22003493u 4500 69027 UtSlPG 20260610134609.0 m cr n 260607r20221925utu|||||o|||||||||||||| d 25007504 UtSlPG en iso639-1 PS Sinclair, Upton, 1878-1968 Mammonart: An essay in economic interpretation Salt Lake City, UT : Project Gutenberg, 2022 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2022-09-22 Tim Lindell, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) "Mammonart: An Essay in Economic Interpretation" by Upton Sinclair is a critical essay written in the early 20th century. The book explores the relationship between art and economics, focusing on how artists have historically been influenced and controlled by socioeconomic structures and the ruling classes. Sinclair aims to reveal the underlying motivations and consequences of artistic expression through a socio-political lens. The opening of the essay introduces a fictional character named Ogi, who embodies the earliest forms of artistic expression in human history. It depicts Ogi's initial attempts to create art, representing a significant moment where art transitions from mere survival to a representation of life and culture. Through Ogi's experiences, Sinclair illustrates how art can stir excitement and fear and how it quickly becomes entwined with power and authority. As the narrative unfolds, it becomes evident that Ogi's artistry sets the stage for discussions about the role of the artist within societal structures and the implications of art as a tool for propaganda, serving the interests of those in power rather than the collective good of society. (This is an automatically generated summary.) Originally published: United States: self-published, 1925 Literature -- History and criticism -- Theory, etc. Economics and literature Arts and society https://hdl.handle.net/2027/mdp.39015011815670 https://www.gutenberg.org/ebooks/69027 109826 109826