02776cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000340012624500560016026400510021630000470026733600260031433700260034033800360036650000310040250505890043350802110102252009780123353400630221165300240227465300250229885600720232385600430239569533UtSlPG20260610134617.0mcr n260607r20221904utu|||||o|||||||||||||| d  a04017842  aUtSlPG 7aen2iso639-1 4aND1 aDewhurst, Wynford,d1864-194110aImpressionist painting: its genesis and development 1aSalt Lake City, UT :bProject Gutenberg,c2022  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2022-12-130 aThe evolution of the Impressionistic idea -- Jongkind, Boudin, and Cézanne -- Edouard Manet (1832-1883) -- The Impressionist group, 1870-1886 -- Claude Monet -- Pissarro, Renoir, Sisley -- Some younger Impressionists: Carrière, Pointelin, Maufra -- "Realists": Raffaëlli, Degas, Toulouse-Lautrec -- The "women-painters": Berthe Morisot, Mary Cassatt, Marie Bracquemond, Eva Gonzalès -- "La peinture claire": Claus, Le Sidaner, Besnard, Didier-Pouget -- American Impressionists: Whistler, Harrison, Hassam -- A German Impressionist, Max Liebermann -- Influences and tendencies.  aTim Lindell, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)  a"Impressionist Painting: Its Genesis and Development" by Wynford Dewhurst is a historical account written in the early 20th century. The book explores the evolution and significance of Impressionism, detailing the movement's key figures and its shaping influences, while examining the societal and artistic context that gave rise to this revolutionary style in art.   The opening of the book sets the stage for understanding Impressionism through the author's personal journey and insights into key artists such as Turner and Monet. Dewhurst narrates his early admiration for landscape painting, recounting his transformative experience in Paris, where he first encountered Impressionism. He emphasizes the contrasts between classical traditions and the emerging modern artistic expressions, setting up a discussion on the significance of artists like Manet, Monet, and Boudin in the evolution of this captivating art movement. (This is an automatically generated summary.)  pOriginally published:cUnited Kingdom: George Newnes, 1904  aImpressionism (Art)  aArtists -- Portraits4 uhttps://archive.org/details/impressionistpai00dewh/page/n7/mode/2up40uhttps://www.gutenberg.org/ebooks/69533