<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>02803cam a22003493u 4500</leader>
  <controlfield tag="001">69533</controlfield>
  <controlfield tag="003">UtSlPG</controlfield>
  <controlfield tag="005">20260610134617.0</controlfield>
  <controlfield tag="006">m</controlfield>
  <controlfield tag="007">cr n</controlfield>
  <controlfield tag="008">260607r20221904utu|||||o|||||||||||||| d</controlfield>
  <datafield tag="010" ind1=" " ind2=" ">
    <subfield code="a">04017842</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">UtSlPG</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2="7">
    <subfield code="a">en</subfield>
    <subfield code="2">iso639-1</subfield>
  </datafield>
  <datafield tag="050" ind1=" " ind2="4">
    <subfield code="a">ND</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">Dewhurst, Wynford,</subfield>
    <subfield code="d">1864-1941</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
    <subfield code="a">Impressionist painting: its genesis and development</subfield>
  </datafield>
  <datafield tag="264" ind1=" " ind2="1">
    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2022</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">text</subfield>
    <subfield code="b">txt</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="337" ind1=" " ind2=" ">
    <subfield code="a">computer</subfield>
    <subfield code="b">c</subfield>
    <subfield code="2">rdamedia</subfield>
  </datafield>
  <datafield tag="338" ind1=" " ind2=" ">
    <subfield code="a">online resource</subfield>
    <subfield code="b">cr</subfield>
    <subfield code="2">rdacarrier</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Release date is 2022-12-13</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
    <subfield code="a">The evolution of the Impressionistic idea -- Jongkind, Boudin, and C&#xE9;zanne -- Edouard Manet (1832-1883) -- The Impressionist group, 1870-1886 -- Claude Monet -- Pissarro, Renoir, Sisley -- Some younger Impressionists: Carri&#xE8;re, Pointelin, Maufra -- "Realists": Raffa&#xEB;lli, Degas, Toulouse-Lautrec -- The "women-painters": Berthe Morisot, Mary Cassatt, Marie Bracquemond, Eva Gonzal&#xE8;s -- "La peinture claire": Claus, Le Sidaner, Besnard, Didier-Pouget -- American Impressionists: Whistler, Harrison, Hassam -- A German Impressionist, Max Liebermann -- Influences and tendencies.</subfield>
  </datafield>
  <datafield tag="508" ind1=" " ind2=" ">
    <subfield code="a">Tim Lindell, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">"Impressionist Painting: Its Genesis and Development" by Wynford Dewhurst is a historical account written in the early 20th century. The book explores the evolution and significance of Impressionism, detailing the movement's key figures and its shaping influences, while examining the societal and artistic context that gave rise to this revolutionary style in art.   The opening of the book sets the stage for understanding Impressionism through the author's personal journey and insights into key artists such as Turner and Monet. Dewhurst narrates his early admiration for landscape painting, recounting his transformative experience in Paris, where he first encountered Impressionism. He emphasizes the contrasts between classical traditions and the emerging modern artistic expressions, setting up a discussion on the significance of artists like Manet, Monet, and Boudin in the evolution of this captivating art movement. (This is an automatically generated summary.)</subfield>
  </datafield>
  <datafield tag="534" ind1=" " ind2=" ">
    <subfield code="p">Originally published:</subfield>
    <subfield code="c">United Kingdom: George Newnes, 1904</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Impressionism (Art)</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Artists -- Portraits</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2=" ">
    <subfield code="u">https://archive.org/details/impressionistpai00dewh/page/n7/mode/2up</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://www.gutenberg.org/ebooks/69533</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">110316</subfield>
    <subfield code="d">110316</subfield>
  </datafield>
</record>
