02749cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000360012624501500016226400510031230000470036333600260041033700260043633800360046250000310049850802120052952013930074153400650213465300230219970000550222285600720227785600430234999900190239269846UtSlPG20260610134621.0mcr n260607r20231760utu|||||o|||||||||||||| d a12002758 aUtSlPG 7aen2iso639-1 4aND1 aMüntz, Jean-Henri,d1727-179810aEncaustic: Or, Count Caylus's method of painting in the manner of the ancients. :bTo which is added a sure and easy method for fixing of crayons 1aSalt Lake City, UT :bProject Gutenberg,c2023 a1 online resource :bmultiple file formats atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier aRelease date is 2023-01-20 aCharlene Taylor, Krista Zaleski and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) a"Encaustic: Or, Count Caylus's method of painting in the manner of the ancients" by J. H. Müntz is a detailed treatise on the ancient method of encaustic painting, written in the mid-18th century. The book explores a unique approach to painting that uses beeswax and colored pigments, claiming to offer more durability and vibrancy compared to traditional oil paints. It appeals to artists and art historians interested in revivalist techniques and practical methods for applying ancient practices in contemporary art. In the text, Müntz elaborates on Count Caylus's innovations in encaustic painting, presenting a step-by-step guide for preparing the painting surface, mixing colors, and applying wax to embed the pigments. The system includes practical tips for artists, emphasizing the advantages of encaustic over oil and watercolor methods regarding stability and ease of retouching. Additionally, Müntz discusses the importance of proper preparation, the types of colors suitable for encaustic, and even provides insights into the fixing process for crayons—all aimed at enhancing the understanding and application of this historical art form. Through experiments and personal observations, Müntz argues for the durability and aesthetic value of encaustic paintings, encouraging artists to explore and adapt these techniques. (This is an automatically generated summary.) pOriginally published:cUnited Kingdom: Bible and Crown, 1760 aEncaustic painting1 aCaylus, Anne Claude Philippe, comte de,d1692-17654 uhttps://archive.org/details/encausticorcount00munt/page/n7/mode/2up40uhttps://www.gutenberg.org/ebooks/69846 c110605d110605