02377cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000060011910000260012524500460015126400510019730000470024833600260029533700260032133800360034750000310038350800690041452013680048353400640185165300150191565300220193065300200195265300240197285600430199672877UtSlPG20260610134703.0mcr n260607r20241921utu|||||o|||||||||||||| d  a38024068  aUtSlPG 7ade2iso639-1 4aN1 aDeri, Max,d1878-193810aNaturalismus, Idealismus, Expressionismus 1aSalt Lake City, UT :bProject Gutenberg,c2024  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2024-02-05  aThe Online Distributed Proofreading Team at https://www.pgdp.net  a"Naturalismus, Idealismus, Expressionismus" by Max Deri is a theoretical treatise on aesthetics and the philosophy of art written in the early 20th century. The work delves into the nature and classification of artistic expression, examining the relationships between reality, perception, and the realms of artistic creation. Deri discusses various artistic movements, positing that there are four fundamental approaches to art: naturalism, naturalistic permutation, idealism, and expressionism, each representing different methodologies of conveying artistic sentiment and experience.  At the start of the text, Deri introduces core concepts such as observation and theory, rooted in the ideas of Ernst Mach. He lays out a framework for understanding how human consciousness interacts with the external world and how this interaction influences artistic creation. The opening explores the distinctions between different aesthetic experiences, emphasizing the importance of isolating emotional responses to art from intellectual analysis. This sets the stage for a deeper exploration of how different styles—such as naturalism's emphasis on accurate representation of nature and expressionism's focus on intensified emotion—serve as pathways for artists to communicate their inner experiences through their works. (This is an automatically generated summary.)  pOriginally published:cLeipzig: Verlag von E. Seemann, 1921  aAesthetics  aNaturalism in art  aIdealism in art  aExpressionism (Art)40uhttps://www.gutenberg.org/ebooks/72877