03162cam a22003373u 4500 75814 UtSlPG 20260610134744.0 m cr n 260607r20251899utu|||||o|||||||||||||| d UtSlPG es iso639-1 PQ Pardo Bazán, Emilia, condesa de, 1852-1921 En tranvía Salt Lake City, UT : Project Gutenberg, 2025 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2025-04-07 En tranvía -- Adriana -- Vitorio -- Las desnudadas -- Semilla heroica -- Justiciero -- Elección -- La chucha -- El vino del mar -- Fuego á bordo -- La paz -- Suerte macabra -- El guardapelo -- La ventana cerrada -- Infidelidad -- De vieja raza -- Benito de Palermo -- Ley natural -- El comadrón -- El voto de Rosiña -- Vivo retrato -- El décimo -- La puñalada -- En el Santo -- Santos Bueno -- Sustitución -- La compaña -- La dentadura -- Inspiración -- Oscuramente -- El ahogado -- El molino -- Aventura -- El oficio de difuntos -- Juan Trigo -- El camafeo -- Voz de la sangre. Andrés V. Galia and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) "En tranvía: Cuentos dramáticos" by condesa de Emilia Pardo Bazán is a collection of short stories written in the late 19th century. The book presents a series of dramatic vignettes, each exploring the varied complexities and struggles within everyday Spanish life, often focusing on themes of social class, fate, and the human condition. The stories introduce a range of characters from different walks of life, portraying their joys, tragedies, and moral dilemmas with acute psychological insight. Readers can expect immersive tales rich in atmosphere, social critique, and emotional depth. The opening of the collection sets the stage aboard a Madrid tram on a spring morning, observing passengers from all social backgrounds, especially contrasting well-off families with a desperate, impoverished woman and her blind child. As the passengers' initial display of charity fails to comfort the woman's deeper anguish, a subtle critique of societal sympathy emerges. The subsequent stories start with "Adriana," recounting a mother's heartache after a traumatic ordeal threatens her only child, and "Vitorio," which introduces a "noble bandit" whose downfall is entwined with personal disgrace and family honor. Each introductory tale establishes the emotionally charged and morally complex narratives that follow, while painting a vivid picture of Spanish society. (This is an automatically generated summary.) Originally published: MADRID: ADMINISTRACIÓN, 1899 Short stories, Spanish Spanish fiction -- 19th century http://bdh-rd.bne.es/viewer.vm?id=0000092310&page=1 https://www.gutenberg.org/ebooks/75814 116539 116539