03416cam a22003493u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000290011324500620014224600770020426400510028130000470033233600260037933700260040533800360043150000310046750505000049850800690099852017730106753400700284065300260291065300350293670000330297185600430300499900190304775839UtSlPG20260610134744.0mcr n260607r20251923utu|||||o|||||||||||||| d aUtSlPG 7ade2iso639-1 4aPT1 aKeller, Paul,d1873-193214aDas Königl. Seminartheater — Altenroda — Grünlein1 aDas Königliche Seminartheater — Altenroda — Grünlein : Novellen 1aSalt Lake City, UT :bProject Gutenberg,c2025 a1 online resource :bmultiple file formats atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier aRelease date is 2025-04-120 aDas königliche Seminartheater -- In den Grenzhäusern -- Der Ausflug -- Das Telefon des Bildschnitzers -- Die Briefe der Tochter -- Die letzte Furche -- Bergkrach -- Altenroda -- Vom Musikleben in Altenroda -- Der Schuldturm -- Das traurige Schicksal des Meisters Michael: Vom törichten Kaspar. Rauchermärchen -- Die drei Geizhälse: Der evangelische Geizhals. Der katholische Geizhals. Der jüdische Geizhals -- Zwei Idyllen: Der Briefkasten. Hero und Leander -- Ansorge -- Grünlein. aThe Online Distributed Proofreading Team at https://www.pgdp.net a"Das Königl. Seminartheater — Altenroda — Grünlein: Novellen" by Paul Keller is a collection of short stories (novellas) written in the early 20th century. The book opens with fond reminiscences of student days and idealistic youth, vividly portraying the camaraderie, artistic enthusiasm, and small rebellions of a group of young men at a teacher seminary in Breslau. The central figures are Keller himself (as narrator) and his close friends Heilgans, Bartsch, Böttger, and others, whose collective escapades in forming an amateur theater troupe blend humor, nostalgia, and personal growth. Overall, the collection likely explores rural and small-town life, youthful dreams, and human connections in Silesia, combining autobiographical elements with local color. The opening of the book is divided between two stories: the first, "Das Königliche Seminartheater," recounts the narrator’s entrance into the Breslau seminary and the formation of a wildly passionate—and often comical—student theater. Through a series of humorous and heartwarming anecdotes, the boys endure examinations, dream up dramatic productions, navigate friendships, rivalries, pranks, and the challenges of adolescence. The second story, "In den Grenzhäusern," shifts to a rural, mountainous borderland, depicting the narrator's youthful adventures among innkeepers, border guards, and villagers. Here, he observes village life, folk customs, and the petty—and sometimes poignant—smuggling that shapes local existence, culminating in a moving scene of love and loss. Taken together, the beginning of the book offers affectionate, richly characterized vignettes of youthful ambition and the everyday dramas of Silesian life. (This is an automatically generated summary.) pOriginally published:cBreslau und Leipzig: Bergstadtverlag, 1923 aShort stories, German aGerman fiction -- 20th century1 aPoetter, Wilhelm,d1885-194540uhttps://www.gutenberg.org/ebooks/75839 c116564d116564