03077cam a22003373u 4500 75887 UtSlPG 20260610134745.0 m cr n 260607r20251929utu|||||o|||||||||||||| d 29017163 UtSlPG en iso639-1 ND Valentiner, Wilhelm Reinhold, 1880-1958 Jacques Louis David and the French Revolution Salt Lake City, UT : Project Gutenberg, 2025 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2025-04-17 deaurider and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) "Jacques Louis David and the French Revolution by Wilhelm Reinhold Valentiner" is a historical account and art historical analysis written in the early 20th century. The book focuses on the life and artistic achievements of Jacques Louis David, one of France's most significant painters, examining his profound relationship with the tumultuous period of the French Revolution and the rise of Napoleon. Valentiner weaves together biography, analysis of artistic style, and historical narrative to illuminate how David's art both reflected and influenced the political and social upheavals of his age. The book likely appeals to readers interested in art history, revolutionary France, and the intersection of culture and politics. The content of the book traces David's development from his early Rococo-influenced works through his conversion to neoclassicism and his pivotal role as both artist and political participant during the French Revolution. Valentiner explores key paintings such as "The Oath of the Horatii," "The Death of Socrates," and David's iconic portraits of revolutionary figures including Marat and Napoleon. The text discusses how David's artistic style shifted in response to the social transformations and violence of the era, analyzing how his portraits and compositions embodied revolutionary ideals and later the ambitions of Napoleon. The narrative also examines David’s personal involvement in revolutionary politics, his friendships, and his eventual exile, illustrating how his pursuit of art was constantly entangled with the historical events of his lifetime. Throughout, Valentiner reflects on the challenges artists face when caught between artistic ambition and political fervor, ultimately portraying David as both a product and a shaper of one of history’s most transformative periods. (This is an automatically generated summary.) Originally published: New York: Frederic Fairchild Sherman, 1929 David, Jacques Louis, 1748-1825 David, Jacques Louis, 1748-1825 https://archive.org/details/jacqdavi00vale https://www.gutenberg.org/ebooks/75887 116612 116612