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    <subfield code="a">O'Brien, Edward J.</subfield>
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    <subfield code="a">The best short stories of 1922, and the yearbook of the American short story</subfield>
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    <subfield code="a">Release date is 2025-07-02</subfield>
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    <subfield code="a">The dark city / by Conrad Aiken -- I'm a fool / by Sherwood Anderson -- The death of Murdo / by Konrad Bercovici -- An unknown warrior / by Susan M. Boogher -- The helpless ones / by Frederick Booth -- Forest cover / by Edna Bryner -- Natalka's portion / by Rose Gollup Cohen -- The shame of gold / by Charles J. Finger -- Two for a cent / by F. Scott Fitzgerald -- John the Baptist / by Waldo Frank -- Mendel Marantz: housewife / by David Freedman -- Belshazzar's letter / by Katharine Fullerton Gerould -- Winkelburg / by Ben Hecht -- The token / by Joseph Hergesheimer -- The resurrection and the life / by William Jitro -- The golden honeymoon / by Ring W. Lardner -- He laughed at the gods / by James Oppenheim -- In the metropolis / by Benjamin Rosenblatt -- From the other side of the south / by Wilbur Daniel Steele -- The coffin / by Clement Wood.</subfield>
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    <subfield code="a">Carol Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</subfield>
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    <subfield code="a">"The best short stories of 1922, and the yearbook of the American short story" by Edward J. O&#x2019;Brien is a collection of short stories written in the early 20th century. The anthology gathers notable American magazine fiction alongside a &#x201C;yearbook&#x201D; of trends, indexes, and honors, framed by the editor&#x2019;s critical introduction. It showcases a broad range of styles&#x2014;from modernist experiments to popular narratives&#x2014;charting themes of work, family, war, identity, and a shifting national mood.  The opening of the volume offers front matter and O&#x2019;Brien&#x2019;s introduction, where he warns of &#x201C;disintegration&#x201D; in American letters&#x2014;both the lazy commercial formula and shallow imitation of European avant-gardes&#x2014;then explains his selection tests of substance and form and his star-based ranking. The fiction begins with The Dark City, a twilight study of a suburban father whose evening routines and gardening yield to a recurring vision of a silent, menacing city; continues with I&#x2019;m a Fool, a stablehand&#x2019;s rueful confession after lying about his identity to impress a girl at the races; and follows with The Death of Murdo, in which a Romani chief, newly healed, engineers a fatal test to secure his tribe&#x2019;s faith in a successor. It then turns to An Unknown Warrior, opening on a lone soldier entering a snow-shrouded Westminster Abbey. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">Boston: Small, Maynard &amp; Company, 1921</subfield>
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    <subfield code="a">Short stories -- 20th century -- Bibliography</subfield>
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    <subfield code="a">Short stories -- 20th century -- Indexes</subfield>
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    <subfield code="u">https://archive.org/details/bestshortstories00unse/page/n7/mode/2up</subfield>
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