03195cam a22003733u 4500 76858 UtSlPG 20260610134759.0 m cr n 260607r20251854utu|||||o|||||||||||||| d 06017217 UtSlPG en iso639-1 BF PS Brownson, Orestes Augustus, 1803-1876 The spirit-rapper; an autobiography Salt Lake City, UT : Project Gutenberg, 2025 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier "... It is not a novel; it is not a romance; it is not a biography of a real individual; it is not a dissertation, an essay, or a regular treatise; and yet it perhaps has some elements of them all ..."--Preface Release date is 2025-09-11 Tim Lindell, KD Weeks and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) "The spirit-rapper; an autobiography" by Orestes Augustus Brownson is a fictional autobiography written in the mid-19th century. It examines the rise of mesmerism and modern Spiritualism through the first-person account of a scientifically minded New Yorker who is drawn from curiosity into clairvoyance, spirit-rapping, and table-turning. Alongside ministers, reformers, and social radicals, he probes the claims and perils of these phenomena, weighing science, faith, and moral consequences. The opening of the narrative presents a prefatory statement that the work blends fact with fictional “machinery” to scrutinize spirit-manifestations and their links to reformist enthusiasms. The narrator then recounts his sober scientific education and early scepticism, his introduction to a French mesmerist’s convincing demonstrations, and a circle of interlocutors debating whether the effects arise from imagination, a human “demonic” force, or something darker. As mesmerism spreads, a lighthearted practitioner, Jack Wheatley, kills his fiancée by overusing it and is haunted by her apparition, while the narrator himself develops an intense desire for hidden power. Moving among Philadelphia reformers, he witnesses and conducts experiments that surpass mere suggestion—remote mesmerism, magnetized objects inducing trance, and clairvoyance that exceeds any “rapport.” He learns automatic speech and writing under a foreign will, then shifts to using objects as instruments, producing table movement and coded raps, and is told he can gain greater knowledge only if he purifies his motives—just as the excerpt breaks off. (This is an automatically generated summary.) Originally published: Boston: Little, Brown & Co., 1854 Spiritualism Autobiographical fiction Mesmerism -- Fiction Paranormal fiction https://archive.org/details/spiritrapperauto00brow/page/n5 https://www.gutenberg.org/ebooks/76858 117583 117583