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    <subfield code="a">Braddon, M. E.</subfield>
    <subfield code="q">(Mary Elizabeth),</subfield>
    <subfield code="d">1835-1915</subfield>
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    <subfield code="a">Dead-sea fruit, Vol. 2 (of 3)</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2025</subfield>
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    <subfield code="a">1 online resource :</subfield>
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    <subfield code="a">Release date is 2025-09-16</subfield>
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    <subfield code="a">Peter Becker, Laura Natal and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive).</subfield>
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    <subfield code="a">"Dead-sea fruit, Vol. 2 (of 3)" by M. E. Braddon is a novel written in the late 19th century. It contrasts a jaded aristocrat&#x2019;s disillusion with the bright hopes of youth, entwining a potential cross-class romance with sharp glimpses of London&#x2019;s theatrical world and social pretenses. The story centers on Harold Jerningham, the weary owner of Greenlands; Eustace Thorburn, an idealistic young secretary; Helen de Bergerac, his amiable pupil; and editor Laurence Desmond, whose path crosses that of struggling actress Lucy Alford. Themes of ambition, jealousy, friendship, and the bitter aftertaste of pleasure run beneath a refined country-house drama and a gritty city subplot.  The opening of the novel follows Jerningham&#x2019;s return to his neglected estate on his birthday, where he meets Eustace reading Plato and then visits his old friend, M. de Bergerac, and Helen at the Grange. Sensing a mutual attraction between Helen and Eustace, Jerningham questions the wisdom of housing a handsome, gifted secretary so close to the innocent heiress, while De Bergerac defends the young man&#x2019;s honour and usefulness to his scholarly work. The scene shifts to London, where Laurence Desmond secures a future engagement for aspiring actress Lucy Alford, then publicly rebukes a coarse amateur &#x201C;star&#x201D; and a sycophantic manager who try to displace Lucy&#x2014;an encounter that costs the theatre both leading ladies. After an uneasy Christmas at the home of the jealous Mrs. Jerningham, Desmond learns Lucy&#x2019;s father has been arrested for debt; he goes at night to comfort Lucy, arranges to take her to the prison, and quietly promises funds for her rent and provincial engagement. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">London: Ward, Lock, and Tyler, 1868</subfield>
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    <subfield code="a">English fiction -- 19th century</subfield>
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    <subfield code="u">https://archive.org/details/deadseafruit02brad</subfield>
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