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    <subfield code="a">Bret&#xF3;n de los Herreros, Manuel,</subfield>
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    <subfield code="a">Mu&#xE9;rete &#xA1;y ver&#xE1;s...!</subfield>
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    <subfield code="a">Segunda edici&#xF3;n.</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2025</subfield>
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    <subfield code="a">1 online resource :</subfield>
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    <subfield code="a">Release date is 2025-11-14</subfield>
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    <subfield code="a">Produced by Ram&#xF3;n Pajares Box. (This file was produced from images generously made available by The Internet Archive/University of North Carolina at Chapel Hill.)</subfield>
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    <subfield code="a">"Mu&#xE9;rete &#xA1;y ver&#xE1;s...!" by Manuel Bret&#xF3;n de los Herreros is a stage comedy written in the mid-19th century. The play satirizes social hypocrisy, romantic fickleness, and political posturing in Zaragoza during the Carlist conflicts, using a &#x201C;death&#x201D; to strip characters of their masks. It centers on Don Pablo, a militia officer believed fallen in battle; Jacinta, his dazzling beloved; Isabel, her modest, secretly devoted sister; Don Mat&#xED;as, an eager rival; Don Froil&#xE1;n, a gloomy egoist; and Don El&#xED;as, a penny-wise lender. Expect witty clashes, farcical reversals, and a sharp portrait of a society that praises the dead while failing the living.

The opening of the play sets Zaragoza humming as a militia column marches out: Pablo scrambles for a loan from El&#xED;as, then exchanges fervent vows with Jacinta while Isabel hides her love in silence and Froil&#xE1;n mutters dire omens. Soon a victory is rumored; a letter from Mat&#xED;as and an official notice mention one officer fallen, and Mat&#xED;as arrives to assert Pablo has died. Jacinta mourns yet swiftly lets Mat&#xED;as court her&#x2014;claiming Pablo would have wished it&#x2014;while Isabel, at last speaking, declares her deep, self-denying love and rebukes her sister&#x2019;s haste. As funeral bells toll across from a lively dance where Jacinta and Mat&#xED;as plot their betrothal and Froil&#xE1;n shirks mourning, Pablo returns incognito, overhears his own praises and their betrayal, and decides to make Froil&#xE1;n recant publicly and to devise a sharper private revenge. The excerpt closes with El&#xED;as fretting over his unpaid loan as mourners drift from the church. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">Madrid: Imprenta de Yenes, 1840</subfield>
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    <subfield code="a">Comedy plays</subfield>
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    <subfield code="a">Spanish drama -- 19th century</subfield>
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    <subfield code="u">https://archive.org/details/mureteyversc00bret</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/77235</subfield>
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