02838cam a22003013u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000310011324500280014426400510017230000470022333600260027033700260029633800360032250000310035850500670038950801010045652018260055753400830238365300270246685600430249377268UtSlPG20260610134805.0mcr n260607r20251909utu|||||o|||||||||||||| d aUtSlPG 7ahu2iso639-1 4aPZ1 aKaffka, Margit,d1880-191810aKépzelet-királyfiak 1aSalt Lake City, UT :bProject Gutenberg,c2025 a1 online resource :bmultiple file formats atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier aRelease date is 2025-11-190 aKépzeletország -- Acháj -- Námán -- Yonos, a kedves. aAlbert László from page images generously made available by the Hungarian Electronic Library a"Képzelet-királyfiak" by Margit Kaffka is a literary fairy tale written in the early 20th century. It follows three princely brothers—Acháj, Námán, and Yonos—who each travel from the Kingdom of Imagination into the Land of Reality to seek conquest, truth, or beauty. Through fable-like episodes, the tale explores power, reason, faith, and art, contrasting visionary ideals with the stubborn facts of the world. The opening of the tale stages a moonlit festival in the Kingdom of Imagination, where flowers make music and fireflies light the royal gardens as three princes come of age and await the misty Dream carriage that bears youths into Reality. Amid courtly hopes of a destined conqueror, Acháj receives his father’s blessing to pursue power, while Námán’s tutor challenges him to find a “fixed point” of understanding. Acháj then wakes among stark mountains, wins leadership over cave-dwellers by felling a stag, disciplines their hunts, sharpens tools, invents bow and fire, conquers stilt-house river folk, and eyes further wars—until a mysterious night-voice unsettles his triumphal purpose. Námán wakes on a plain, finds hospitality among shepherds, halts a flock plague with herbs and clay, cures the chief’s daughter Jezabel, and teaches counting, fair weighing, writing, and star-guided orientation. When he publicly declares natural truths and denounces their wooden idol, the tribe turns on him; Jezabel frees him from the death pit, and a handful of devoted pupils flee with him beyond a river. Finally, the third strand begins as Yonos awakens by the sea near an unfinished city, beholds in moonlight a serene female vision with an olive branch, and, seized by inspiration, carves her likeness from a block of marble. (This is an automatically generated summary.) pOriginally published:cBudapest: Lampel Róbert (Wodianer F. és Fiai), 1909 aFairy tales -- Hungary40uhttps://www.gutenberg.org/ebooks/77268