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  <titleInfo>
    <title>Pan's garden</title>
  </titleInfo>
  <name type="personal">
    <namePart>Blackwood, Algernon</namePart>
    <namePart type="date">1869-1951</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Robertson, W. Graham (Walford Graham)</namePart>
    <namePart type="date">1866-1948</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
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    <dateIssued encoding="marc">2025</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"Pan's garden" by Algernon Blackwood is a collection of short stories written in the early 20th century. The tales center on nature’s mysterious, often supernatural presence and its effect on human lives. The opening story follows retired forester David Bittacy, his devout wife Sophia, and a tree-obsessed painter, Sanderson, as the living force of the woods presses upon their Hampshire home.

The opening of the collection presents Sanderson’s uncanny gift for capturing a tree’s “personality,” which resonates with David’s lifelong intimacy with forests and alarms Sophia’s pious caution. Long twilight talks about plant consciousness and a vast, collective forest “being” unsettle the household; a strange wave-like motion across the lawn and the wind “roaring further out” suggest the woods are aware—and held at bay only by their cedar. David later sleepwalks, murmuring that the forest has “sent for” him. After Sanderson leaves, storms break limbs from the cedar, the family builds a barrier along the garden’s edge, and David’s identification with the trees intensifies: he abandons their annual trip abroad, spends his days and nights in the Forest, and grows exultant while Sophia’s dread and protective vigilance deepen. The section closes with her failed attempts to medicalize the change and his invitation to visit a solitary beech at night, as the pressure of the woods steadily mounts. (This is an automatically generated summary.)</abstract>
  <tableOfContents>The man whom the trees loved -- The south wind -- The sea fit -- The attic -- The heath fire -- The messenger -- The glamour of the snow -- The return -- Sand -- The transfer -- Clairvoyance -- The golden fly -- Special delivery -- The destruction of Smith -- The temptation of the clay.</tableOfContents>
  <note>Release date is 2025-12-15</note>
  <note>Charlene Taylor, Tom Trussel, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</note>
  <note>Originally published: London: The MacMillan and Co., Limited, 1912</note>
  <subject>
    <topic>Short stories, English</topic>
  </subject>
  <subject>
    <topic>English fiction -- 20th century</topic>
  </subject>
  <subject>
    <topic>Nature stories, English</topic>
  </subject>
  <classification authority="lcc">PR</classification>
  <relatedItem type="original">
    <originInfo>
      <publisher>London: The MacMillan and Co., Limited, 1912</publisher>
    </originInfo>
  </relatedItem>
  <identifier type="lccn">13011308</identifier>
  <identifier type="uri">https://archive.org/details/pansgardenvolume00blacuoft/page/n11/mode/2up</identifier>
  <identifier type="uri">https://www.gutenberg.org/ebooks/77472</identifier>
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    <url>https://archive.org/details/pansgardenvolume00blacuoft/page/n11/mode/2up</url>
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    <recordIdentifier source="UtSlPG">77472</recordIdentifier>
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