03006cam a22003493u 4500 77487 UtSlPG 20260610134808.0 m cr n 260607r20251909utu|||||o|||||||||||||| d 10000800 UtSlPG en iso639-1 PR Reynolds, Myra, 1853-1936 The treatment of nature in English poetry between Pope and Wordsworth [Second edition] Salt Lake City, UT : Project Gutenberg, 2025 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2025-12-17 Jamie Brydone-Jack, Karin Spence and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) The Treatment of Nature in English Poetry Between Pope and Wordsworth by Myra Reynolds is a literary-critical study written in the early 20th century. It investigates how English writers from the late classical/Augustan period to the early Romantics conceived of Nature, arguing that the celebrated Romantic vision was prefigured throughout the 18th century. Beyond verse, it compares poetry with painting, travel writing, fiction, and gardening to trace a broad cultural shift toward valuing the natural world. The opening of this study frames the 18th century as a transitional era in which older, urban-classical tastes faded while a new, more ardent feeling for Nature slowly gained force; the preface notes new chapters on painting and gardening and asserts that most “Wordsworthian” ideas appeared earlier in germ. A concise review of prior scholarship (from Schiller and Humboldt to Ruskin, Laprade, Biese, Veitch, and Shairp) shows how English 18th‑century evidence has been underread, motivating a study of origins across arts. The first chapter then maps “English classical” poetry (Waller through Pope and into decadence) and demonstrates its dominant traits: a town-loving ethos; dislike or neglect of mountains, the sea, storms, winter, and sky mysteries; preference for tame, cultivated scenes; generalized, bookish description; narrow, conventional similes; decorative personifications; heavy Latin imitation; and a fixed poetic diction of stock epithets. It concludes that this literature treats Nature as servant or foe rather than kin, setting the stage for later chapters that trace the emergence of a new attitude. (This is an automatically generated summary.) Originally published: Chicago, IL: The University of Chicago Press, 1909 English poetry -- History and criticism Nature in literature https://archive.org/details/treatmentofnatur00reynrich/page/n7/mode/2up?view=theater https://www.gutenberg.org/ebooks/77487 118207 118207