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    <subfield code="a">Bowman, Archibald Allan,</subfield>
    <subfield code="d">1883-1936</subfield>
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    <subfield code="a">Sonnets from a prison camp</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2026</subfield>
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    <subfield code="a">1 online resource :</subfield>
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    <subfield code="a">Release date is 2026-01-07</subfield>
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    <subfield code="a">Tim Miller, chenzw and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</subfield>
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    <subfield code="a">Sonnets from a prison camp by Archibald Allan Bowman is a collection of war sonnets written in the early 20th century. The book charts a soldier-philosopher&#x2019;s inner and outer life under World War I captivity, blending frontline scenes with meditations on home, art, nationhood, and moral purpose.

The sequence opens in Flanders with night bombardments, shattered billets, and the fall of positions around Estaires and Laventie, leading to capture and the moral shock of surrender. A grueling march follows&#x2014;through bog and darkness, past overrun villages and a desolate lazarette&#x2014;ending in the prisons of Lille, then Rastatt and Hesepe, where the monotony of wire and routine alternates with flashes of nature and memory. From confinement, the poet turns to home thoughts of Scotland and England; to literary and philosophical companions&#x2014;Tolstoy, Dostoevsky, Turgenev, Wordsworth, Homer and the Greek tragedians, Plato, Kant, Spinoza, Nietzsche, and Croce&#x2014;to steady and widen the mind. He distills watchwords on art, tragedy, duty, and the State, contrasts German &#x201C;Gehorsam&#x201D; with English strengths and flaws, and calls England and Oxford to unity, clarity of speech, and service to the people. The later sonnets rise into a patriotic vision: England&#x2019;s spirit, history, and empire as instruments for a higher moral end, and a plea that the nation move as one. An interlude on the sonnet form reveals the poems as a discipline against despair. The book closes by honoring the country&#x2019;s dead and affirming hope that suffering can be transfigured into purpose. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">London: John Lane, 1919</subfield>
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    <subfield code="a">World War, 1914-1918 -- Poetry</subfield>
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    <subfield code="a">Imprisonment -- Poetry</subfield>
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  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Prisoners of war -- Poetry</subfield>
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  <datafield tag="856" ind1="4" ind2=" ">
    <subfield code="u">https://archive.org/details/cu31924105271146/page/n5/mode/2up</subfield>
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  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://www.gutenberg.org/ebooks/77636</subfield>
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