02610cam a22002893u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000300011324500210014326400510016430000470021533600260026233700260028833800360031450000310035050800450038152017620042653400700218865300190225885600430227777670UtSlPG20260610134811.0mcr n260607r20261917utu|||||o|||||||||||||| d aUtSlPG 7afi2iso639-1 4aPH1 aHemmo, Kaarlo,d1858-194010aKynäelmiä IV 1aSalt Lake City, UT :bProject Gutenberg,c2026 a1 online resource :bmultiple file formats atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier aRelease date is 2026-01-10 aJuhani Kärkkäinen and Tapio Riikonen aKynäelmiä IV by Kaarlo Hemmo is a collection of Finnish poems written in the early 20th century. It blends patriotic and moral verse, narrative ballads, nature and love lyrics, and occasional pieces, often exalting the Finnish language, rural grit, and civic unity while warning against vanity, factionalism, and social injustice. The tones range from hymnic and elegiac to satirical and humorous, with folkloric figures and everyday Finns stepping into brief, story-like scenes. The opening of the collection begins with a spring proem that likens Finland’s many voices to a shared birdsong and invokes Väinö’s kantele as a symbol of national harmony. It then praises the beauty and power of the Finnish tongue, exhorts the “Suomalainen” to don figurative iron and keep faith with freedom, and addresses farmers after disarmament, casting tools as the nation’s true weapons. A May Day poem laments student factionalism and urges unity. Narrative pieces follow: a wartime family memory ending in a baby’s rescue, the ballad of “Maukosukko” who rides to the Swedish king to defend his farm and wins by law, and a satire of a glory-seeking king undone by his own war. The sequence turns to piety and social feeling with “Pyhän Kirjan Kaisa,” elegies and consolations, and short maxims, then to darker urban and maritime tales (a fisherman lured by dreamlike Ahtola to his death; a destitute mother and infant lost to smoke and hunger). It rounds out this opening stretch with reflections on the true meaning of Christmas, serene nature odes (Punkaharju, Rautalampi), light love lyrics and playful sketches, and the first “occasional” civic addresses calling Parliament to unity. (This is an automatically generated summary.) pOriginally published:cHelsinki: Kotkavuoren välitysliike, 1917 aFinnish poetry40uhttps://www.gutenberg.org/ebooks/77670