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    <subfield code="a">Alcal&#xE1; Galiano, Antonio,</subfield>
    <subfield code="d">1789-1865</subfield>
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    <subfield code="a">Recuerdos de un anciano</subfield>
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    <subfield code="c">2026</subfield>
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    <subfield code="a">Release date is 2026-01-16</subfield>
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    <subfield code="a">Ram&#xF3;n Pajares Box. (This book was produced from images generously made available by Junta de Andaluc&#xED;a / Biblioteca Digital de Andaluc&#xED;a, Spain.)</subfield>
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    <subfield code="a">"Recuerdos de un anciano" by Antonio Alcal&#xE1; Galiano is a historical memoir written in the mid-19th century. It offers firsthand recollections of early 19th&#x2011;century Spain&#x2014;its society, politics, and wars&#x2014;with special focus on C&#xE1;diz, the Battle of Trafalgar, and Madrid under Carlos IV. The narrator blends vivid city portraits and political insight with personal experience and loss.

The opening of the memoir begins with an editor&#x2019;s note explaining that these articles were first printed in the magazine La Am&#xE9;rica and are now collected to preserve an eyewitness record of Spain&#x2019;s turbulent first third of the century, with the promise of fuller posthumous memoirs. It then paints C&#xE1;diz at the century&#x2019;s start: newly prosperous after the Peace of Amiens, immaculate and lively, elegant in dress and manners yet thin in intellectual life; a feeble local press is offset by a youthful literary academy (1805&#x2013;1808) that includes Jos&#xE9; Joaqu&#xED;n de Mora. The author sketches local politics and two contrasting governors&#x2014;Morla, stern and capricious but efficient in epidemics, and Solano, gallant, theatrical, fond of public festivities and civic improvements&#x2014;before noting C&#xE1;diz&#x2019;s later decline after the Independence War and the loss of America. Next come the Trafalgar pages: the British fleet off C&#xE1;diz, the combined fleet under Villeneuve, the narrator&#x2019;s father urging the fleet not to sail, the sudden departure observed from Chiclana, the signal of &#x201C;combat in sight,&#x201D; a ship&#x2019;s explosion at dusk, and the devastating storm that followed. C&#xE1;diz rallies to care for the wounded under Solano&#x2019;s direction; Gravina is gravely hurt, Vald&#xE9;s is saved in extremis, and harrowing individual wounds and rescues abound, while captured ships are wrecked, retaken, or brought into port (notably the Santa Ana with &#xC1;lava). The narrator finally learns of his father&#x2019;s death, and reflects on poems, sermons, and the navy&#x2019;s later decline and partial revival. The section closes by launching a new sketch: Madrid under Carlos IV&#x2014;ugly, dirty, and poorly built by comparison, with modest interiors, uneven wealth, many carriages, and two shabby theaters&#x2014;framing the social texture the memoir will keep exploring. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">Madrid: Imprenta Central a cargo de V&#xED;ctor Saiz, 1878</subfield>
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    <subfield code="a">Spain -- History -- Napoleonic Conquest, 1808-1813</subfield>
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    <subfield code="a">Spain -- History -- Charles IV, 1788-1808</subfield>
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    <subfield code="a">Spain -- History -- Ferdinand VII, 1813-1833</subfield>
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    <subfield code="u">https://www.bibliotecadigitaldeandalucia.es/catalogo/es/consulta/registro.do?id=1013412</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/77703</subfield>
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