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    <subfield code="a">Bell, Aubrey F. G.</subfield>
    <subfield code="q">(Aubrey Fitz Gerald),</subfield>
    <subfield code="d">1882-1950</subfield>
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    <subfield code="a">The Oxford book of Portuguese verse</subfield>
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    <subfield code="a">The Oxford book of Portuguese verse :  twelfth century-twentieth century</subfield>
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    <subfield code="a">The Oxford book of Portuguese verse :  12th century-20th century</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2026</subfield>
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    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
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    <subfield code="a">Release date is 2026-01-20</subfield>
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    <subfield code="a">The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</subfield>
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    <subfield code="a">"The Oxford book of Portuguese verse" by Aubrey F. G. Bell is a poetry anthology written in the early 20th century. It offers a wide survey of Portuguese poetry from its medieval Galician-Portuguese roots through Renaissance, Baroque, Romantic, and modern currents, framed by a learned, scene&#x2011;setting introduction. Readers can expect a strong focus on the origins and evolution of Iberian lyric&#x2014;especially the cantigas de amigo and related folk and courtly forms&#x2014;alongside later classical and romantic strains.

The opening of the anthology presents a dedication and an expansive introduction that traces Portuguese verse from 12th&#x2011;century Galician&#x2011;Portuguese song (contrasting imported troubadour court lyric with indigenous parallel&#x2011;strophed forms), through the Marian Cantigas of Alfonso X, the roles of King Dinis, Gil Vicente, S&#xE1; de Miranda, and Cam&#xF5;es, and onward into Baroque gongorism, Arcadian neoclassicism, Romanticism, and early modern trends. After this survey, the selections begin with medieval pieces&#x2014;barcarolas, bailadas, pastorelas, alvoradas, and cantigas de amigo&#x2014;often voiced by women yearning for absent lovers amid rivers, seas, boats, dawns, dances, and pilgrimages, all marked by refrains and patterned parallelism. This opening cluster concludes with Alfonso X&#x2019;s Galician hymns to the Virgin, which blend praise with miracle narratives, providing a devotional counterpoint to the secular sea&#x2011;and&#x2011;love songs that precede them. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">London: Clarendon Press, 1925</subfield>
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    <subfield code="a">Portuguese poetry</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/77746</subfield>
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