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    <subfield code="a">Vautel, Cl&#xE9;ment,</subfield>
    <subfield code="d">1876-1954</subfield>
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    <subfield code="a">Mon cur&#xE9; chez les pauvres</subfield>
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    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2026</subfield>
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    <subfield code="a">1 online resource :</subfield>
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    <subfield code="a">Release date is 2026-02-21</subfield>
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    <subfield code="a">Laurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.)</subfield>
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    <subfield code="a">"Mon cur&#xE9; chez les pauvres" by Cl&#xE9;ment Vautel is a novel written in the early 20th century. It offers a satirical yet affectionate portrait of Abb&#xE9; Pellegrin, a plainspoken village priest and former poilu whose fierce loyalty to the poor collides with church authority, local politics, and the commerce of sacred art. When a smooth-talking &#x201C;art critic&#x201D; tempts him with funds for his destitute parish in exchange for a worm&#x2011;eaten crucifix, his choice ignites a public scandal that pits charity against aesthetics and power.

The opening of the novel follows Abb&#xE9; Pellegrin in Sableuse, where Achille de Saint&#x2011;Preux, a faux art critic, lures him with 5,000 francs &#x201C;for the poor&#x201D; and a flashy new statue to replace the old wooden Christ; after hesitation, the cur&#xE9; yields, and the man snatches the antique and flees. Exposed in the press as the Levantine dealer Zaphyri, the thief triggers uproar; the bishop sternly rebukes the cur&#xE9;, while the ch&#xE2;telains, the ambitious Cousinet couple, blame him for their own political setbacks and plot his removal. Soon, the affair becomes a cause c&#xE9;l&#xE8;bre: crowds, reporters, and dignitaries pack the courtroom as witnesses parade through and the prosecutor paints the exchange as a betrayal of national patrimony. At the start of the trial, Pellegrin refuses counsel and defends himself, insisting he chose living charity over dead &#x201C;art,&#x201D; railing against the fetish of objects, and claiming the poor are the Church&#x2019;s first altar&#x2014;his impassioned plea swelling just as the excerpt breaks off. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">Paris: Albin Michel, 1925</subfield>
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    <subfield code="a">French fiction -- 20th century</subfield>
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    <subfield code="u">https://books.google.fr/books?id=A0BLAQAAIAAJ</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/77994</subfield>
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