<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>02792cam a22003373u 4500</leader>
  <controlfield tag="001">78497</controlfield>
  <controlfield tag="003">UtSlPG</controlfield>
  <controlfield tag="005">20260610134824.0</controlfield>
  <controlfield tag="006">m</controlfield>
  <controlfield tag="007">cr n</controlfield>
  <controlfield tag="008">260607r20261903utu|||||o|||||||||||||| d</controlfield>
  <datafield tag="010" ind1=" " ind2=" ">
    <subfield code="a">12038244</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">UtSlPG</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2="7">
    <subfield code="a">en</subfield>
    <subfield code="2">iso639-1</subfield>
  </datafield>
  <datafield tag="050" ind1=" " ind2="4">
    <subfield code="a">ND</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">Sargent, John Singer,</subfield>
    <subfield code="d">1856-1925</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="4">
    <subfield code="a">The work of John S. Sargent, R.A.</subfield>
  </datafield>
  <datafield tag="264" ind1=" " ind2="1">
    <subfield code="a">Salt Lake City, UT :</subfield>
    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2026</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">1 online resource :</subfield>
    <subfield code="b">multiple file formats</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
    <subfield code="a">text</subfield>
    <subfield code="b">txt</subfield>
    <subfield code="2">rdacontent</subfield>
  </datafield>
  <datafield tag="337" ind1=" " ind2=" ">
    <subfield code="a">computer</subfield>
    <subfield code="b">c</subfield>
    <subfield code="2">rdamedia</subfield>
  </datafield>
  <datafield tag="338" ind1=" " ind2=" ">
    <subfield code="a">online resource</subfield>
    <subfield code="b">cr</subfield>
    <subfield code="2">rdacarrier</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Release date is 2026-04-19</subfield>
  </datafield>
  <datafield tag="508" ind1=" " ind2=" ">
    <subfield code="a">Richard Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">The work of John S. Sargent, R.A. by John Singer Sargent and Alice Meynell is an art monograph with a critical introductory essay and a large portfolio of plates, produced in the early 20th century. It centers on the painter&#x2019;s portraiture and figure pictures, considering his artistic vision and technique while showcasing many of his most notable works.

The introductory note argues for the breadth and legitimacy of portraiture as a &#x201C;silent art&#x201D; that reveals character, nation, and race through the visible signs of life. It praises the painter&#x2019;s vigilant insight, his ability to suggest movement (as in El Jaleo and A Spanish Dance) and poise (as in Lord Ribblesdale), and his delicate rendering of children and twilight in Carnation, Lily, Lily, Rose, while noting he sometimes fixes too narrowly on a single passing aspect. The essay weighs &#x201C;literary&#x201D; versus visual values, rejects facile &#x201C;psychology&#x201D; in favor of direct perception, and situates the artist within the tradition of manifest &#x201C;power of hand,&#x201D; aligning him with masters who prize modelling, values, and relations over overt colorism. It also touches on contemporary critical debates (invoking Ruskin, Rodin, and Old Masters) to frame the painter&#x2019;s place among the greats. The bulk of the book then presents a sequence of reproductions&#x2014;society portraits, performers, statesmen, studies from Spain and the Mediterranean, and celebrated canvases such as Madame Gautreau, Miss Ellen Terry as Lady Macbeth, and numerous family groups&#x2014;offering a broad survey of the painter&#x2019;s range and vitality. (This is an automatically generated summary.)</subfield>
  </datafield>
  <datafield tag="534" ind1=" " ind2=" ">
    <subfield code="p">Originally published:</subfield>
    <subfield code="c">London: W. Heinemann, 1903</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Painting -- American</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
    <subfield code="a">Meynell, Alice,</subfield>
    <subfield code="d">1847-1922</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2=" ">
    <subfield code="u">https://archive.org/details/gri_33125009520731</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
    <subfield code="u">https://www.gutenberg.org/ebooks/78497</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">119215</subfield>
    <subfield code="d">119215</subfield>
  </datafield>
</record>
