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    <subfield code="a">Filippi, Rosina,</subfield>
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    <subfield code="a">Duologues and scenes from the novels of Jane Austen</subfield>
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    <subfield code="b">Project Gutenberg,</subfield>
    <subfield code="c">2026</subfield>
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    <subfield code="a">1 online resource :</subfield>
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    <subfield code="a">Literary tastes: duologue between Catherine Morland and Isabella Thorpe (Northanger Abbey) -- The settlement question: duologue between Mr and Mrs John Dashwood (Sense and sensibility) -- The reading of Jane Fairfax's letter: duologue between Miss Bates and Emma (Emma) -- A strawberry picnic: duologue between Mrs Elton and Mr Knightley (Emma) -- Three loves: duologues between Emma and Harriet, and Emma and Mr Knightley (Emma) -- The proposal of Mr. Collins: dialogue between Mrs Bennet, Elizabeth Bennet, and Mr Collins (Pride and prejudice) -- Lady Catherine's visit: duologue between Lady Catherine and Elizabeth Bennet (Pride and prejudice).</subfield>
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    <subfield code="a">Mary Glenn Krause, Emory University, Eleni Christofaki and the Online Distributed Proofreading Team at https://www.pgdp.net</subfield>
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    <subfield code="a">"Duologues and scenes from the novels of Jane Austen" by Filippi and Austen is a collection of theatrical adaptations written in the late 19th century. It selects and reshapes key moments from Austen&#x2019;s fiction into short duologues and brief scenes for drawing-room performance, with minimal staging but strict period costume. Aimed at cultivated amateurs, it offers practical stage directions, light narrative links, and pen-and-ink costume notes to bring beloved characters from Northanger Abbey, Sense and Sensibility, Emma, and Pride and Prejudice to life.

The opening of this collection presents a lively preface arguing that Austen is inherently dramatic and best played without scenery, while insisting on accurate 1790s&#x2013;1800s dress and offering guidance for amateur staging. It then launches into fully scripted scenes: Catherine Morland and Isabella Thorpe in the Bath Pump Room giddily bond over &#x201C;horrid&#x201D; novels and flirtations; Mr and Mrs John Dashwood coolly whittle down a promised settlement for their widowed relations; Miss Bates chatters through Jane Fairfax&#x2019;s letter as Emma looks for escape; Mrs Elton tries to commandeer Mr Knightley&#x2019;s planned strawberry party and is politely checked; and Emma&#x2019;s domestic scenes with Harriet show Harriet burning her Elton &#x201C;relics,&#x201D; confessing a new attachment to Knightley, and throwing Emma into turmoil. The section closes with Knightley&#x2019;s unexpected return and an intense exchange with Emma about Frank Churchill and Jane Fairfax, breaking off mid-conversation. (This is an automatically generated summary.)</subfield>
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    <subfield code="p">Originally published:</subfield>
    <subfield code="c">London: J. M. Dent and Company, 1895</subfield>
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    <subfield code="a">England -- Social life and customs -- Drama</subfield>
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    <subfield code="a">Austen, Jane, 1775-1817 -- Adaptations</subfield>
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    <subfield code="a">Austen, Jane,</subfield>
    <subfield code="d">1775-1817</subfield>
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    <subfield code="a">Fletcher, Margaret,</subfield>
    <subfield code="d">1862-1943</subfield>
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    <subfield code="u">https://www.gutenberg.org/ebooks/78656</subfield>
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