03087cam a22003253u 4500 1477 UtSlPG 20260610133045.0 m cr n 260607r1998||||utu|||||o|||||||||||||| d UtSlPG en iso639-1 PR Saki, 1870-1916 The Toys of Peace, and Other Papers Salt Lake City, UT : Project Gutenberg, 1998 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 1998-10-01 The toys of peace -- Louise -- Tea -- The disappearance of Crispina Umberleigh -- The wolves of Cernogratz -- Louis -- The guests -- The penance -- The phantom luncheon -- A bread and butter miss -- Bertie's Christmas Eve -- Forewarned -- The interlopers -- Quail seed -- Canossa -- The threat -- Excepting Mrs. Pentherby -- Mark -- The hedgehog -- The Mappined life -- Fate -- The bull -- Morlvera -- Shock tactics -- The seven cream jugs -- The occasional garden -- The sheep -- The oversight -- Hyacinth -- The image of the lost soul -- The purple of the Balkan kings -- The cupboard of the yesterdays -- For the duration of the war. Transcribed from the 1919 John Lane edition by Jane Duff and David Price "The Toys of Peace, and Other Papers" by Saki is a collection of short stories written in the early 20th century, showcasing the author’s characteristic wit and satirical commentary on society. The collection opens with a focus on the influence of toys and upbringing on children, highlighting a particular character, Harvey Bope, who attempts to replace traditional war-themed toys with "peace toys" intended to educate and promote civil engagement among his nephews. At the start of the narrative, Harvey Bope engages in a conversation with his sister Eleanor about the detrimental impact of violent toys on children’s behavior. They discuss an initiative by the National Peace Council which encourages parents to buy peaceful alternatives. When Harvey arrives to bring gifts for his nephews, the children's anticipation is comically met with underwhelming, mundane toys like models of municipal buildings and figures of historical civilians, which fail to capture their interest. Instead of adopting the peaceful play suggested by Harvey, the boys creatively reinterpret their new toys, transforming them into participants in chaotic historical reenactments, ultimately demonstrating that deep-rooted instincts for conflict can hardly be quelled by the absence of guns and battles. This opening sets up Saki's exploration of societal values, childhood innocence, and the often humorous disconnect between intention and outcome. (This is an automatically generated summary.) Original publication data not identified Short stories, English English fiction -- 20th century https://www.gutenberg.org/ebooks/1477 43593 43593