02478cam a22003133u 45000010005000000030007000050050017000120060002000290070005000310080041000360400011000770410017000880500007001051000035001122450017001472640051001643000047002153360026002623370026002883380036003145000009003505000031003595050558003905080044009485201066009925340045020586530019021038560042021221956UtSlPG20260610133051.0mcr n260607r1999||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPR1 aBeerbohm, Max, Sir,d1872-195610aAnd Even Now 1aSalt Lake City, UT :bProject Gutenberg,c1999  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aHTML  aRelease date is 1999-11-010 aA relic (1918) -- "How shall I word it?" (1910) -- Mobled king (1911) -- Kolniyatsch (1913) -- No. 2. The Pines (1914) -- A letter that was not written (1914) -- Books within books (1914) -- The golden drugget (1918) -- Hosts and guests (1918) -- A point to be remembered by very eminent men (1918) -- Servants (1918) -- Going out for a walk (1918) -- Quia imperfectum (1918) -- Something defeasible (1919) -- "A clergyman" (1918) -- The crime (1920) -- In homes unblest (1919) -- William and Mary (1920) -- On speaking French (1919) -- Laughter (1920).  aProduced by Tom Weiss, and David Widger  a"And Even Now" by Sir Max Beerbohm is a collection of essays written during the early 20th century. The essays reflect Beerbohm's observations and musings on various topics, encapsulating the wit and wisdom of his experiences and literary engagements over a decade.  The opening portion of the book introduces a reflective essay titled "A Relic," where the narrator discovers an old portmanteau that triggers memories and evokes a sense of nostalgia. He recounts the contents of the trunk, particularly a fragment of a fan belonging to a woman named Angélique, which leads him to reminisce about a dramatic encounter he witnessed on a terrace in Normandy. The narrative explores themes of memory, longing, and the creative impulse, as the narrator contemplates the woman’s emotional turmoil and how it inspires him to pursue writing, despite his fears of inadequacy. This initial essay sets the tone for the collection, revealing Beerbohm’s keen insights into human nature and the subtleties of everyday life. (This is an automatically generated summary.)  nOriginal publication data not identified  aEnglish essays40uhttps://www.gutenberg.org/ebooks/1956