02382cam a22003373u 45000010005000000030007000050050017000120060002000290070005000310080041000360400011000770410017000880500010001051000033001152450043001482640051001913000047002423360026002893370026003153380036003415000031003775050048004085080029004565201403004855340045018886530008019336530022019416530022019638560042019859990017020272901UtSlPG20260610133105.0mcr n260607r2004||||utu|||||o|||||||||||||| d aUtSlPG 7aen2iso639-1 4aNaPR1 aGalsworthy, John,d1867-193310aStudies and Essays: Censorship and Art 1aSalt Lake City, UT :bProject Gutenberg,c2004 a1 online resource :bmultiple file formats atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier aRelease date is 2004-09-250 aAbout censorship — Vague thoughts on art. aProduced by David Widger a"Studies and Essays: Censorship and Art" by John Galsworthy is a collection of essays written in the early 20th century that explores the intricate relationship between censorship and artistic expression. This thought-provoking work delves into the necessity and implications of censorship in various realms such as literature, drama, art, religion, and politics. Galsworthy argues that while censorship may be perceived as a protective measure for societal comfort, it raises essential questions about freedom, creativity, and the responsibilities attached to artistic endeavors. In the essays, Galsworthy critiques the existing censorship system that primarily targets plays and urges for similar restrictions to be applied across literature, art, and science to safeguard public sensibilities. He posits that the censorship of art forms is crucial to maintain societal decorum, especially considering the mixed audiences in public spaces. Furthermore, he reflects on the nature of art itself, proposing a definition that emphasizes its ability to evoke impersonal emotion and create a harmonious connection between individuals and universal experiences. Through his contemplative style, Galsworthy navigates complex philosophical ideas, questioning the boundaries of artistic freedom and the role of the audience in interpreting art's significance. (This is an automatically generated summary.) nOriginal publication data not identified aArt aArt -- Censorship aArt -- Philosophy40uhttps://www.gutenberg.org/ebooks/2901 c44975d44975