02436cam a22003133u 45000010005000000030007000050050017000120060002000290070005000310080041000360400011000770410017000880500007001051000041001122450161001532640051003143000047003653360026004123370026004383380036004645000031005005080044005315201354005755340045019296530075019746530014020498560042020639990017021055712UtSlPG20260610133142.0mcr n260607r2004||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aNB1 aJames, Juliet Helena Lumbard,d1864-10aSculpture of the Exposition Palaces and Courts :bDescriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco 1aSalt Lake City, UT :bProject Gutenberg,c2004  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2004-05-01  aThis eBook was produced by David Schwan  a"Sculpture of the Exposition Palaces and Courts" by Juliet Helena Lumbard James is a descriptive account of the remarkable sculptures featured at the Panama-Pacific International Exposition held in San Francisco. This publication can be characterized as an art history book that was likely written in the early 20th century. The book delves into the creative expressions of American sculptors, showcasing their works and highlighting the significance of their contributions to the art scene during the exposition.  The content of the book is structured around various prominent sculptures from the exposition, providing detailed descriptions and interpretations of each piece. Notable works include "The Fountain of Energy," which symbolizes the triumph of energy and human endeavor, and "The End of the Trail," which poignantly represents the struggles faced by Native Americans. Each chapter explores different sculptures, their themes, and the sculptors behind them, such as A. Stirling Calder, Daniel Chester French, and Edith Woodman Burroughs, offering biographical insights into the artists and insights into the broader cultural context of their work. The book serves as both a celebration of artistic achievement and a call for the enduring appreciation of public sculpture in urban landscapes. (This is an automatically generated summary.)  nOriginal publication data not identified  aPanama-Pacific International Exposition (1915 : San Francisco, Calif.)  aSculpture40uhttps://www.gutenberg.org/ebooks/5712  c47739d47739