02477cam a22003013u 45000010005000000030007000050050017000120060002000290070005000310080041000360400011000770410017000880500007001051000039001122450068001512640051002193000047002703360026003173370026003433380036003695000031004055050315004365201285007515340045020366530035020818560042021169990017021585724UtSlPG20260610133142.0mcr n260607r2004||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aMT1 aKrehbiel, Henry Edward,d1854-192312aA Book of Operas: Their Histories, Their Plots, and Their Music 1aSalt Lake City, UT :bProject Gutenberg,c2004  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2004-05-010 aIl barbiere de Siviglia -- Le nozze di Figaro -- Die Zauberflöte -- Don Giovanni -- Fidelio -- Faust -- Mefistofele -- La damnation de Faust -- La traviata -- Aïda -- Der Freischütz -- Tannhäuser -- Tristan und Isolde -- Parsifal -- Die Meistersinger von Nürnberg -- Lohengrin -- Hänsel and Gretel.  a"A Book of Operas: Their Histories, Their Plots, and Their Music" by Henry Edward Krehbiel is a comprehensive analysis of opera, focusing on key works and their journeys through performance history, written in the late 19th century. This exploration delves into the narratives, characters, composers, and significant productions of various famous operas, elucidating how their intricate plots and musical compositions have evolved over time and gained traction in various cultural contexts.  The opening of the book lays the groundwork by detailing the history of Italian opera in America, beginning with the landmark performance of Rossini's "Il Barbiere di Siviglia." This section highlights the challenges and triumphs faced during its introduction, including initial failures and later success, while recounting the pivotal roles performed by singers and composers involved. An in-depth examination of "Il Barbiere di Siviglia" reveals its plot dynamics, character motivations, and the ingenuity that Rossini brought to the score, often reflecting on how the work has been interpreted and adapted throughout the years, showcasing Krehbiel’s expertise in bridging the gap between musical theory and practical performance history. (This is an automatically generated summary.)  nOriginal publication data not identified  aOperas -- Stories, plots, etc.40uhttps://www.gutenberg.org/ebooks/5724  c47750d47750