02397cam a22003493u 4500 5790 UtSlPG 20260610133143.0 m cr n 260607r2004||||utu|||||o|||||||||||||| d UtSlPG en iso639-1 PS Millay, Edna St. Vincent, 1892-1950 Aria da Capo Salt Lake City, UT : Project Gutenberg, 2004 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2004-05-01 Produced by David Starner, and David Widger "Aria da Capo" by Edna St. Vincent Millay is a play in one act written in the early 20th century. This theatrical work presents a whimsical yet poignant narrative that delves into themes of love, the intricacies of relationships, and the contrast between tragedy and farce. Set within a colorful and metaphorical framework, it intertwines elements of both comedy and seriousness, presenting a unique commentary on human emotions and societal expectations. The story unfolds in a two-part structure, beginning with the main characters, Pierrot and Columbine, engaged in a seemingly trivial dining conversation filled with humor and banter. Their light-hearted interaction is interrupted by Cothurnus, a figure representing the weight of tragedy, who attempts to integrate a more serious tone. Meanwhile, shepherds Thyrsis and Corydon illustrate their own narrative of conflict and disillusionment as they quarrel over imaginary boundaries between themselves and their sheep. The play juxtaposes these two dialogues, ultimately leading to a tragic conclusion where misunderstandings and jealousy culminate in violent circumstances, only to be ignored and transformed back into farce by Pierrot and Columbine. This cyclical structure emphasizes the absurdity of life, a reflection on the human condition wrapped in humor and sorrow. (This is an automatically generated summary.) Original publication data not identified War -- Drama Didactic drama Shepherds -- Drama Friendship -- Drama Alienation (Social psychology) -- Drama https://www.gutenberg.org/ebooks/5790 47816 47816