02492cam a22003133u 45000010005000000030007000050050017000120060002000290070005000310080041000360400011000770410017000880500006001051000059001112450138001702640051003083000047003593360026004063370026004323380036004585000031004945080044005255201406005695340045019756530075020206530024020958560042021199990017021616631UtSlPG20260610133155.0mcr n260607r2004||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aN1 aPerry, Stella G. S.q(Stella George Stern),d1877-195614aThe Sculpture and Mural Decorations of the Exposition :bA Pictorial Survey of the Art of the Panama-Pacific international exposition 1aSalt Lake City, UT :bProject Gutenberg,c2004  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2004-10-01  aThis eBook was produced by David Schwan  a"The Sculpture and Mural Decorations of the Exposition" by Stella G. S. Perry is a pictorial survey of the artistic works featured at the Panama-Pacific International Exposition, written in the early 20th century. This detailed treatise explores various sculptures and mural decorations throughout the exposition, reflecting on their significance and artistic merit. The narrative encapsulates the vitality and innovation within American art, showcasing the collaborative efforts of forty-four sculptors who contributed to the visual landscape of this historic event.  The opening of the book sets the stage by acknowledging the universal human urge to create art, which is expressed through the works displayed at the exposition. It highlights the symbiotic relationship between artists and architects as they share a collective vision for integrating art into urban spaces. Perry also notes the range of artistic influences present, including echoes of classic European styles. The introduction serves as a tribute to the artist Karl Bitter, emphasizing the spirit of collaboration and celebration embodied in the exposition’s numerous artistic works. It invites readers to appreciate how these sculptures encapsulate broader themes of life, progress, and the American spirit, foreshadowing deeper discussions of individual pieces throughout the text. (This is an automatically generated summary.)  nOriginal publication data not identified  aPanama-Pacific International Exposition (1915 : San Francisco, Calif.)  aSculpture, American40uhttps://www.gutenberg.org/ebooks/6631  c48627d48627