02823cam a22003133u 4500 7475 UtSlPG 20260610133208.0 m cr n 260607r2005||||utu|||||o|||||||||||||| d UtSlPG en iso639-1 PS Curtis, George William, 1824-1892 From the Easy Chair, Volume 1 Salt Lake City, UT : Project Gutenberg, 2005 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2005-02-01 Edward Everett in 1862 -- At the opera in 1864 -- Emerson lecturing -- Shops and shopping -- Mrs. Grundy and the cosmopolitan -- Dickens reading [1867] -- Phillis -- Thoreau and my Lady Cavaliere -- Honestus at the caucus -- Thalberg and other pianists [1871] -- Urbs and rus -- Rip Van Winkle -- A Chinese critic -- Holiday sauntering -- Wendell Phillips at Harvard [1881] -- Easter bonnets -- Jenny Lind -- The town -- Sarah Shaw Russell -- Street music -- A little dinner with Thackeray -- Cecilia playing -- The mannerless sex -- Robert Browning in Florence -- Players -- Unmusical boxes -- The academy dinner in Arcadia. Produced by Eric Eldred, Brendan Lane and the Online Distributed Proofreading Team. "From the Easy Chair, Volume 1" by George William Curtis is a collection of essays written during the late 19th century that provides a reflective commentary on various aspects of American society and culture. Through a blend of personal reflection, literary critique, and social observation, Curtis examines topics such as politics, literature, and the evolving dynamics of urban and suburban life, effectively capturing the currents of thought prevalent in his time. The opening of the text introduces a bustling scene at a lecture given by the orator Edward Everett during the Civil War, illustrating the contrast between the audience’s serene enjoyment and the tumultuous backdrop of national conflict. Through vivid descriptions, Curtis brings to life the atmosphere of the event—complete with the daily lives of the attendees—as the orator prepares to address significant issues. He captures the audience's expectations juxtaposed with their possible ignorance of the grave matters at hand, hinting at the dissonance between public performance and private sentiment, setting the stage for a broader exploration of how individuals navigate their personal and communal identities amid societal upheaval. (This is an automatically generated summary.) Original publication data not identified American essays https://www.gutenberg.org/ebooks/7475 49466 49466