02015cam a22003013u 45000010005000000030007000050050017000120060002000290070005000310080041000360400011000770410017000880500007001051000061001122450051001732640051002243000047002753360026003223370026003483380036003745000031004105080034004415201112004755340045015876530020016326530019016528560042016719068UtSlPG20260610133228.0mcr n260607r2005||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPM1 aMarkham, Clements R., Sirq(Clements Robert),d1830-191610aApu Ollantay: A Drama of the Time of the Incas 1aSalt Lake City, UT :bProject Gutenberg,c2005  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2005-10-01  aJohn B. Hare and David Widger  a"Apu Ollantay: A Drama of the Time of the Incas" by Sir Clements R. Markham is a historical drama penned in the late 19th century. The play is set against the backdrop of the Inca empire around the year 1470, exploring themes of love, rebellion, and political intrigue among its characters, particularly focusing on Ollantay, a chief not of royal blood who loves the Inca's daughter, Cusi Coyllur.  The opening of the drama introduces Ollantay and his witty page, Piqui Chaqui, who discuss Ollantay's infatuation with Cusi Coyllur. As Ollantay passionately expresses his love, Piqui warns him about the dangers of such a forbidden relationship. Their dialogue is interrupted by Uillac Uma, the High Priest of the Sun, who cautions Ollantay against pursuing his desires, foreseeing potential consequences from the Inca Pachacuti regarding his feelings for the princess. The scene sets up various conflicts—personal, political, and social—that will unfold as the story progresses, hinting at the interplay of power, love, and loyalty in the Inca civilization. (This is an automatically generated summary.)  nOriginal publication data not identified  aOllantay (Play)  aIncas -- Drama40uhttps://www.gutenberg.org/ebooks/9068