02857cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000330011324500840014626400510023030000470028133600260032833700260035433800360038050000310041650502470044750802400069452014410093453400450237565300630242085600430248399900170252612289UtSlPG20260610133307.0mcr n260607r2004||||utu|||||o|||||||||||||| d  aUtSlPG 7afr2iso639-1 4aPQ1 aHennequin, Emile,d1858-188810aQuelques écrivains français: Flaubert, Zola, Hugo, Goncourt, Huysmans, etc. 1aSalt Lake City, UT :bProject Gutenberg,c2004  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2004-05-010 aGustave Flaubert: Étude analytique -- Émile Zola -- Victor Hugo -- Les romans de M. Edm. de Goncourt -- J.K. Huysmans -- La "Course à la mort" [par M. Edouard Rod] -- Panurge -- De la peinture: à propos d'une lettre de M. Raffaëlli.  aProduced by Tonya Allen, Wilelmina Mallière and the Online Distributed
Proofreading Team. This file was produced from images generously
made available by the Bibliothèque nationale de France (BnF/Gallica)
at http://gallica.bnf.fr.,  a"Quelques écrivains français : Flaubert, Zola, Hugo, Goncourt, Huysmans, etc." by Émile Hennequin is a collection of critical studies written in the late 19th century. The work provides an in-depth analysis of various notable French writers, particularly focusing on the styles and contributions of figures such as Gustave Flaubert, Émile Zola, and Victor Hugo, among others. Through a detailed exploration of their works and influences, Hennequin seeks to underscore the literary significance of these authors within the context of French literature.  The opening of the text presents a preface and an analytical study of Gustave Flaubert, emphasizing his meticulous style characterized by precise word choice and rhythmical sentence structure. Hennequin discusses how Flaubert’s prose exhibits a duality of stark realism and poetic beauty, using various examples from Flaubert's novels such as "Madame Bovary" and "Salammbô" to illustrate his points. The author notes Flaubert’s ability to evoke strong emotions through a combination of succinct descriptions and elaborate language, highlighting the contrast between his detailed depictions of ordinary life and the grand themes he explores. Overall, this initial section establishes a foundation for understanding Flaubert's artistry, setting the tone for the subsequent studies of other literary figures in the collection. (This is an automatically generated summary.)  nOriginal publication data not identified  aFrench literature -- 19th century -- History and criticism40uhttps://www.gutenberg.org/ebooks/12289  c53707d53707