02309cam a22003253u 4500 13928 UtSlPG 20260610133329.0 m cr n 260607r2004||||utu|||||o|||||||||||||| d UtSlPG en iso639-1 PN Symons, Arthur, 1865-1945 Plays, Acting and Music: A Book Of Theory Salt Lake City, UT : Project Gutenberg, 2004 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2004-11-02 Produced by Jonathan Ingram, Leah Moser and the PG Online Distributed Proofreading Team. "Plays, Acting and Music: A Book Of Theory" by Arthur Symons is a theoretical exploration of the interrelation between drama, performance, and music, written in the early 20th century. The work seeks to establish a comprehensive aesthetic theory that encompasses various forms of art, particularly focusing on the theatrical stage and its historic traditions. It highlights the significance of performance in interpreting the essence of dramatic works and the philosophical reflections associated with artistic expressions. The opening of the text serves as a preface to the author's thoughts on the evolution of his work, indicating a shift from a previously broader perspective to one more concentrated on the aesthetic principles of the stage and music. Symons articulates a desire to connect the arts through a unified understanding of beauty and artistic expression. He references the significant influence of marionette performances and the portrayal of artists like Sarah Bernhardt, reflecting on how these elements exemplify the potential for achieving a deeper emotional resonance on stage. This initial portion establishes a framework for examining the nuances of acting and its interaction with both written text and auditory experiences in performance art. (This is an automatically generated summary.) Original publication data not identified Music -- History and criticism Theater Actors https://www.gutenberg.org/ebooks/13928 55316 55316