02309cam a22003253u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000310011324500460014426400510019030000470024133600260028833700260031433800360034050000310037650800930040752013200050053400450182065300350186565300120190065300110191285600430192399900170196613928UtSlPG20260610133329.0mcr n260607r2004||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPN1 aSymons, Arthur,d1865-194510aPlays, Acting and Music: A Book Of Theory 1aSalt Lake City, UT :bProject Gutenberg,c2004  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2004-11-02  aProduced by Jonathan Ingram, Leah Moser and the PG Online Distributed
Proofreading Team.  a"Plays, Acting and Music: A Book Of Theory" by Arthur Symons is a theoretical exploration of the interrelation between drama, performance, and music, written in the early 20th century. The work seeks to establish a comprehensive aesthetic theory that encompasses various forms of art, particularly focusing on the theatrical stage and its historic traditions. It highlights the significance of performance in interpreting the essence of dramatic works and the philosophical reflections associated with artistic expressions.  The opening of the text serves as a preface to the author's thoughts on the evolution of his work, indicating a shift from a previously broader perspective to one more concentrated on the aesthetic principles of the stage and music. Symons articulates a desire to connect the arts through a unified understanding of beauty and artistic expression. He references the significant influence of marionette performances and the portrayal of artists like Sarah Bernhardt, reflecting on how these elements exemplify the potential for achieving a deeper emotional resonance on stage. This initial portion establishes a framework for examining the nuances of acting and its interaction with both written text and auditory experiences in performance art. (This is an automatically generated summary.)  nOriginal publication data not identified  aMusic -- History and criticism  aTheater  aActors40uhttps://www.gutenberg.org/ebooks/13928  c55316d55316