02042cam a22003013u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000120011324501060012526400510023130000470028233600260032933700260035533800360038150000310041750801200044852010420056853400450161065300250165585600430168099900170172315838UtSlPG20260610133354.0mcr n260607r2005||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aAP1 aVarious14aThe Atlantic Monthly, Volume 12, No. 72, October, 1863 :bA Magazine of Literature, Art, and Politics 1aSalt Lake City, UT :bProject Gutenberg,c2005  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2005-05-16  aProduced by Cornell University, Joshua Hutchinson, Josephine Paolucci
and the Online Distributed Proofreading Team.  a"The Atlantic Monthly, Volume 12, No. 72, October 1863" by Various is a historical magazine publication from the mid-19th century. This issue includes an eclectic mix of literary essays, critiques, and commentary on various themes, including art, literature, and politics, focusing on the cultural currents and debates of its time.  At the start of this volume, the focus is primarily on a piece about the uncollected writings of Charles Lamb, showcasing his sharp wit and reflections on theater, particularly concerning an unfortunate production of a tragedy by Godwin. The opening also highlights Lamb's characteristic style as he critiques John Kemble's portrayal of the play's protagonist, Antonio, interspersing observations on theater etiquette and audience expectations. This blend of literary criticism and personal anecdote sets the tone for the magazine's overall exploration of cultural and artistic discussions during a period marked by significant social and political upheaval. (This is an automatically generated summary.)  nOriginal publication data not identified  aAmerican periodicals40uhttps://www.gutenberg.org/ebooks/15838  c57226d57226