02210cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000350011324500480014826400510019630000470024733600260029433700260032033800360034650000310038250800770041352012020049053400450169265300240173765300360176165300560179785600430185316758UtSlPG20260610133406.0mcr n260607r2005||||utu|||||o|||||||||||||| d  aUtSlPG 7afr2iso639-1 4aND1 aDesnoyers, Fernand,d1828-186913aLe Salon des Refusés: Le Peinture en 1863 1aSalt Lake City, UT :bProject Gutenberg,c2005  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2005-09-26  aProduced by Chuck Greif. Produced from images provided by Gallica.bnf.fr  a"Le Salon des Refusés: Le Peinture en 1863" by Fernand Desnoyers is a historical account written in the mid-19th century. This work discusses the controversial 1863 art exhibition in Paris that showcased works rejected by the official Salon jury, shedding light on the struggles of artists striving for recognition within a restrictive artistic framework. The focus is on the dynamic interplay between accepted and rejected artworks, as well as the societal implications of differing artistic standards.  The opening of the book sets the stage for a critical exploration of the Exhibition of the Refused, revealing the frustrations and ambitions of artists who were denied entry to the Official Salon. It outlines the chaotic atmosphere among painters leading up to the exhibition, highlighting their debate over submission and self-acceptance. As the Emperor intervenes to allow these rejected works to be displayed, the narrative delves into the themes of artistic rebellion and the quest for validation, emphasizing how even mediocre works garner public interest, while the ruling juries remain out of touch with contemporary artistic innovation. (This is an automatically generated summary.)  nOriginal publication data not identified  aSalon des refusés  aPainting, French -- Exhibitions  aPainting, French -- France -- Paris -- 19th century40uhttps://www.gutenberg.org/ebooks/16758