02403cam a22003253u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000210011324500450013426400510017930000470023033600260027733700260030333800360032950000500036550000310041550801150044652012980056153400450185965300450190465300680194985600430201799900170206017744UtSlPG20260610133420.0mcr n260607r2006||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aPZ1 aAppleton, Victor14aThe moving picture boys on the war front 1aSalt Lake City, UT :bProject Gutenberg,c2006  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aAlso published as: The movie boys under fire.  aRelease date is 2006-02-10  aProduced by Juliet Sutherland, Cori Samuel and the Online
Distributed Proofreading Team at http://www.pgdp.net  a"The Moving Picture Boys on the War Front" by Victor Appleton is a fictional adventure novel written in the early 20th century. The story follows two young protagonists, Blake Stewart and Joe Duncan, who are aspiring filmmakers engaged by the military to capture real-life war footage during World War I. The book is set against the backdrop of their cinematic endeavors, which intertwine with actual wartime experiences, as they navigate the challenges of producing films while grappling with the dangers and excitement of being near the front lines.  At the start of the novel, the moving picture boys are immersed in filming a Civil War reenactment, which serves as a backdrop to introduce their characters and the film production world. The narrative quickly escalates when they receive a call from their producer, Mr. Hadley, offering them a chance to document real battle scenes in Europe. As they prepare for their journey, an accident involving a French officer, Lieutenant Secor, raises suspicions among the boys regarding their safety. Blending themes of espionage and the pursuit of adventure, the opening sets the tone for an action-packed narrative that explores the tumultuous moment when filmmaking meets the harsh realities of war. (This is an automatically generated summary.)  nOriginal publication data not identified  aWorld War, 1914-1918 -- Juvenile fiction  aMotion pictures -- Production and direction -- Juvenile fiction40uhttps://www.gutenberg.org/ebooks/17744  c59130d59130