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  <titleInfo>
    <title>Elizabethan Sonnet-Cycles: Delia - Diana</title>
  </titleInfo>
  <name type="personal">
    <namePart>Crow, Martha Foote</namePart>
    <namePart type="date">1854-1924</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Constable, Henry</namePart>
    <namePart type="date">1562-1613</namePart>
  </name>
  <name type="personal">
    <namePart>Daniel, Samuel</namePart>
    <namePart type="date">1562-1619</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
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      <placeTerm type="code" authority="marccountry">utu</placeTerm>
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    <dateIssued encoding="marc">2006</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">en</languageTerm>
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  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
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  <abstract>"Elizabethan Sonnet-Cycles: Delia - Diana" by Samuel Daniel and Henry Constable is a collection of sonnet cycles written in the late 16th century, reflecting the poetic styles of the Elizabethan era. This compilation includes two prominent works: "Delia," by Samuel Daniel, and "Diana," by Henry Constable, each exploring themes of love, beauty, and longing. The sonnets evoke intense emotional reflections on unrequited love and the nature of beauty, emphasizing the shared poetic conceits and stylistic influences of the time.  At the start of "Delia," the poet expresses admiration and despair for his beloved, framing his feelings through a series of carefully crafted sonnets that articulate the pain of love and its complexities. Through metaphorical language, Daniel captures the torment caused by the disdain of "Delia," a character emblematic of beauty yet cruel in her rejection. He contemplates the relationship between love and suffering, as well as the role of poetry in immortalizing his feelings, setting the tone for a deeper exploration of emotional vulnerability that resonates throughout the entire cycle. Additionally, the opening introduces Constable's “Diana,” which similarly traverses themes of admiration and pain, though with a distinct structure, revealing the rich interplay of poetic tradition within these two works. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2006-07-16</note>
  <note>Produced by David Starner, Taavi Kalju and the Online
Distributed Proofreading Team at http://www.pgdp.net</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>English poetry -- Early modern, 1500-1700</topic>
  </subject>
  <subject>
    <topic>Sonnets, English</topic>
  </subject>
  <classification authority="lcc">PR</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
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  <identifier type="uri">https://www.gutenberg.org/ebooks/18842</identifier>
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    <recordChangeDate encoding="iso8601">20260610133435.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">18842</recordIdentifier>
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