02387cam a22003373u 450000100060000000300070000600500170001300600020003000700050003200800410003701000130007804000110009104100170010205000070011910000300012624500770015625000410023326400510027430000470032533600260037233700260039833800360042450000310046050801130049152013100060453400450191465300120195965300180197185600430198999900170203219880UtSlPG20260610133448.0mcr n260607r2006||||utu|||||o|||||||||||||| d  a13019310  aUtSlPG 7aen2iso639-1 4aMT1 aMills, Wesley,d1847-191510aVoice production in singing and speaking, based on scientific principles  aFourth edition, revised and enlarged 1aSalt Lake City, UT :bProject Gutenberg,c2006  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2006-11-20  aProduced by David Newman, Linda Cantoni, and the Online
Distributed Proofreading Team at http://www.pgdp.net  a"Voice Production in Singing and Speaking, Based on Scientific Principles" by Wesley Mills is a scientific publication likely written in the early 20th century. The work focuses on the physiology of voice production, emphasizing the importance of scientific principles in both singing and speaking practices. The author aims to bridge the gap between practical voice training and the theoretical understanding necessary for effective use of the voice.  The opening of the book introduces Mills' conviction that voice training should rely on scientific foundations rather than traditional methods that have often led to ineffective practices. He argues that just as professions like engineering and medicine require a profound understanding of underlying structures and functions, so too should vocal training encompass knowledge of the physiological mechanisms involved. Mills outlines the objectives of the book, which include educating readers on the interplay between anatomy, physiology, and effective vocal practice, and highlights the virtues of a more rational approach to developing voice production. The preface also offers insights into his experiences with teaching and rehabilitation of voices that have suffered due to incorrect training methods. (This is an automatically generated summary.)  nOriginal publication data not identified  aSinging  aVoice culture40uhttps://www.gutenberg.org/ebooks/19880  c61183d61183