02370cam a22003133u 450000100060000000300070000600500170001300600020003000700050003200800410003704000110007804100170008905000070010610000310011324500500014426400510019430000470024533600260029233700260031833800360034450000310038050801000041152014010051153400450191265300230195765300160198085600430199699900170203920139UtSlPG20260610133451.0mcr n260607r2006||||utu|||||o|||||||||||||| d  aUtSlPG 7aen2iso639-1 4aML1 aHuneker, James,d1857-192110aOld Fogy: His Musical Opinions and Grotesques 1aSalt Lake City, UT :bProject Gutenberg,c2006  a1 online resource :bmultiple file formats  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  aRelease date is 2006-12-19  aProduced by Jeffrey Johnson and the Online Distributed
Proofreading Team at http://www.pgdp.net  a"Old Fogy: His Musical Opinions and Grotesques" by James Huneker is a collection of musical essays written in the early 20th century. The book presents the eccentric and critical thoughts of a fictional character known as Old Fogy, who expresses his often controversial and humorous opinions about various composers and musical trends of his time. Through a combination of wit and sarcasm, Old Fogy reflects on the state of music, favoring classical composers like Bach and Mozart over modern figures, while offering a colorful commentary on contemporary performances and cultural shifts.  The opening portion of the book introduces Old Fogy through an introduction by Huneker, who describes him as a vibrant and irascible character filled with contradictions. Old Fogy's outlook on music is deeply pessimistic, as he laments the perceived decline in artistic quality, arguing that true music cannot evolve positively and instead reveals more of the struggles of the modern era. He critiques various composers, including Wagner, Liszt, and Tchaikovsky, often asserting that they lack the depth and brilliance of past masters. The writing captures his irritable demeanor, eccentricities, and a nostalgic longing for the perceived purity of earlier musical forms, setting the stage for a series of detailed opinions and reflections on the art of music. (This is an automatically generated summary.)  nOriginal publication data not identified  aMusic -- Anecdotes  aPiano music40uhttps://www.gutenberg.org/ebooks/20139  c61424d61424