02408cam a22003133u 4500 21722 UtSlPG 20260610133511.0 m cr n 260607r2007||||utu|||||o|||||||||||||| d UtSlPG en iso639-1 BV ML Bridges, Robert, 1844-1930 A Practical Discourse on Some Principles of Hymn-Singing Salt Lake City, UT : Project Gutenberg, 2007 1 online resource : multiple file formats text txt rdacontent computer c rdamedia online resource cr rdacarrier Release date is 2007-06-06 Produced by Stephen Hutcheson (This file was produced from images generously made available by The Internet Archive/American Libraries.) "A Practical Discourse on Some Principles of Hymn-Singing" by Robert Bridges is a scholarly treatise written in the early 20th century. This book discusses the emotive and aesthetic principles involved in hymn-singing, analyzing the relationship between music and religious expression. Bridges aims to explore what constitutes effective hymnody, critique contemporary practices, and advocate for a return to more dignified and moving musical expressions within church settings. In this discourse, Bridges delves into the historical context of hymn-singing, referencing figures like St. Augustine to underscore the emotional impact of church music. He emphasizes the necessity of music serving to elevate religious emotion rather than distract from it, proposing that the music of hymns should align closely with the words sung. Bridges critiques the modern hymnals of his time for their lack of dignity and emotional depth, advocating for the revival of older, more expressive melodies. By categorizing various emotional responses to music, he argues for a more thoughtful selection of hymn tunes and a concerted effort to create an ecclesiastical music that resonates with the worshippers in the pews. Ultimately, the text is a call for both musical reform and a deeper understanding of the sacredness of hymn-singing. (This is an automatically generated summary.) Original publication data not identified Hymns Church music -- Protestant churches https://www.gutenberg.org/ebooks/21722 62868 62868