<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>Le </nonSort>
    <title>théâtre japonais</title>
  </titleInfo>
  <name type="personal">
    <namePart>Lequeux, André</namePart>
    <namePart type="date">1852-1902</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Leroux, Ernest</namePart>
    <namePart type="date">1845-1917</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">utu</placeTerm>
    </place>
    <dateIssued encoding="marc">2008</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">fr</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource : multiple file formats</extent>
  </physicalDescription>
  <abstract>"Le théâtre japonais" by André Lequeux is a historical account written in the late 19th century. The book provides an in-depth exploration of traditional Japanese theater, focusing on its unique structure, performance styles, and cultural significance. Lequeux’s work likely serves as a guide for Western readers to appreciate the rich traditions and practices of Japanese dramaturgy.  The opening of the book describes the vibrant atmosphere of a Japanese theater, emphasizing its architectural features, audience engagement, and distinct customs. Lequeux paints a picture of a lively setting, where the audience participates in the performance by sharing space with the actors. He details various elements of the staging, such as the innovative use of revolving platforms and the incorporation of music that aligns with the emotional tone of the drama. The author also notes the absence of women in leading roles, instead highlighting how male actors take on female characters, and discusses the improvised nature of performances that reflect real-life experiences, making the theater a truly immersive experience for its audience. (This is an automatically generated summary.)</abstract>
  <note>Release date is 2008-08-19</note>
  <note>Produced by Guillaume Doré and the Online Distributed
Proofreading Team at https://www.pgdp.net (This file was
produced from images generously made available by the
Bibliothèque nationale de France (BnF/Gallica) at
http://gallica.bnf.fr</note>
  <note>Original publication data not identified</note>
  <subject>
    <topic>Theater -- Japan</topic>
  </subject>
  <classification authority="lcc">PN</classification>
  <relatedItem type="original">
    <note>Original publication data not identified</note>
  </relatedItem>
  <identifier type="lccn">22002945</identifier>
  <identifier type="uri">https://www.gutenberg.org/ebooks/26362</identifier>
  <location>
    <url>https://www.gutenberg.org/ebooks/26362</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">UtSlPG</recordContentSource>
    <recordCreationDate encoding="marc">260607</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260610133613.0</recordChangeDate>
    <recordIdentifier source="UtSlPG">26362</recordIdentifier>
  </recordInfo>
</mods>
